Results 11 to 20 of about 2,122 (157)
Revista Vortex, 2022 Recent years have witnessed the appearance of many new digital musical instruments (DMIs) and other interfaces for musical expression (NIME). This paper highlights a well-established music educational background theory that we believe may help DMI ...
Isabela Corintha, Giordano Cabral
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Musical Interaction Reveals Music as Embodied Language
Frontiers in Neuroscience, 2021 Life and social sciences often focus on the social nature of music (and language alike). In biology, for example, the three main evolutionary hypotheses about music (i.e., sexual selection, parent-infant bond, and group cohesion) stress its intrinsically
Alessandro Dell’Anna +3 more
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Emotion and Embodiment in Cognitive Agents: from Instincts to Music [PDF]
2007 International Conference on Integration of Knowledge Intensive Multi-Agent Systems, 2007 This paper suggests the use of modeling techniques to tack into the emotion/cognition paradigm. We presented two possible frameworks focusing on the embodiment basis of emotions. The first one explores the emergence of emotion mechanisms, by establishing the primary conditions of survival and exploring the basic roots of emotional systems.
Coutinho, Eduardo +2 more
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Decoding Individual differences and musical preference via music-induced movement
Scientific Reports, 2022 Movement is a universal response to music, with dance often taking place in social settings. Although previous work has suggested that socially relevant information, such as personality and gender, are encoded in dance movement, the generalizability of ...
Yudhik Agrawal +3 more
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Kinetic Cross-Modal Correspondences and Felt (e)Motion in a Novel Set of Musical Stimuli
Music & Science, 2023 Embodied music cognition predicts that our understanding of human-made sounds relates to our experience of making the same or similar movements and sounds, which involves imitation of the source of visual and auditory information.
Anna Kolesnikov +9 more
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The influence of body movements on children's perception of music with an ambiguous expressive character. [PDF]
PLoS ONE, 2013 The theory of embodied music cognition states that the perception and cognition of music is firmly, although not exclusively, linked to action patterns associated with that music. In this regard, the focus lies mostly on how music promotes certain action
Pieter-Jan Maes, Marc Leman
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Action-based effects on music perception
Frontiers in Psychology, 2014 The classical, disembodied approach to music cognition conceptualizes action and perception as separate, peripheral phenomena. In contrast, embodied accounts to music cognition emphasize the central role of the close coupling of action and perception. It
Pieter-Jan eMaes +3 more
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Action, Enaction, Inter(en)action
Empirical Musicology Review, 2015 Leman and Maes offer a comprehensive review of the main theoretical and empirical themes covered by the research on music and embodied cognition. Their article provides an insight into the work being carried at the Institute for Psychoacoustic and ...
Andrea Schiavio
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When the Sound Becomes the Goal. 4E Cognition and Teleomusicality in Early Infancy
Frontiers in Psychology, 2017 In this paper we explore early musical behaviors through the lenses of the recently emerged “4E” approach to mind, which sees cognitive processes as Embodied, Embedded, Enacted, and Extended.
Andrea Schiavio +6 more
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Frontiers in Psychology, 2020 A recent paradigm shift in music research has allowed scholars to examine the macro- and micro-processes taking place within musical performance and underlying cognitive processes.
Jin Hyun Kim
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