Results 21 to 30 of about 2,122 (157)

Music as a Manifestation of Life: Exploring Enactivism and the ‘Eastern Perspective’ for Music Education

open access: yesFrontiers in Psychology, 2015
The enactive approach to cognition is developed in the context of music and music education. I discuss how this embodied point of view affords a relational and bio-cultural perspective on music that decentres the Western focus on language, symbol and ...
Dylan evan der Schyff
doaj   +1 more source

Oral Tradition as Context for Learning Music From 4E Cognition Compared With Literacy Cultures. Case Studies of Flamenco Guitar Apprenticeship

open access: yesFrontiers in Psychology, 2022
The awareness of the last 20 years about embodied cognition is directing multidisciplinary attention to the musical domain and impacting psychological research approaches from the 4E (embodied, embedded, enactive, and extended) cognition.
Amalia Casas-Mas   +3 more
doaj   +1 more source

Shifting the paradigm of music instruction: Implications of embodiment stemming from an augmented reality guitar learning system

open access: yesFrontiers in Psychology, 2014
Musical instruction often includes materials that can act as a barrier to learning. New technologies using augmented reality may aid in reducing the initial difficulties involved in learning music by lowering these barriers characteristic of traditional ...
Joseph Roland Keebler   +4 more
doaj   +1 more source

The Role of Embodiment in the Perception of Music

open access: yesEmpirical Musicology Review, 2015
Since its breakthrough at the beginning of the twenty-first century, the embodied music cognition theory has inspired empirical research on the role of actionperception couplings in musical activities.
Marc Leman, Pieter-Jan Maes
doaj   +1 more source

The case for an embodied approach to listening. Bodies, technologies and perception

open access: yesHybrid, 2019
In Western philosophical and scientific tradition, aural processes have been subordinated, since antiquity, to rational knowledge and, more recently, to higher cognitive mechanisms.
Andrea Giomi
doaj   +1 more source

A Methodological Framework for Assessing Social Presence in Music Interactions in Virtual Reality

open access: yesFrontiers in Psychology, 2021
Virtual reality (VR) brings radical new possibilities to the empirical study of social music cognition and interaction. In the present article, we consider the role of VR as a research tool, based on its potential to create a sense of “social presence ...
Bavo Van Kerrebroeck   +2 more
doaj   +1 more source

Music Embodiment: From Medical Body Philosophy to Music Therapy Practice

open access: yesYixue yu zhexue
Under the interdisciplinary context of medical body philosophy and music therapy research, the core concept of "musical embodiment" is derived from the theoretical lineage of medical body philosophy, forming a theoretical schema of musical embodiment ...
Pengfei JI, Hong LIU
doaj   +1 more source

Music for a Brighter World: Brightness Judgment Bias by Musical Emotion. [PDF]

open access: yesPLoS ONE, 2016
A prevalent conceptual metaphor is the association of the concepts of good and evil with brightness and darkness, respectively. Music cognition, like metaphor, is possibly embodied, yet no study has addressed the question whether musical emotion can ...
Joydeep Bhattacharya, Job P Lindsen
doaj   +1 more source

Technology-Mediated Hindustani Dhrupad Music Education: An Ethnographic Contribution to the 4E Cognition Perspective

open access: yesEducation Sciences
Embodiment lies at the core of music cognition, prompting recent pedagogical shifts towards a multi-sensory, whole-body approach. However, the education of oral music genres that rely exclusively on direct teacher–disciple transmission through live ...
Stella Paschalidou
doaj   +1 more source

Music and the Evolution of Embodied Cognition [PDF]

open access: yes, 2020
Music is a universal human activity. Its evolution and its value as a cognitive resource are starting to come into focus. This chapter endeavors to give readers a clearer sense of the adaptive aspects of music, as well as the underlying cognitive and neural structures.
openaire   +1 more source

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