Results 31 to 40 of about 2,122 (157)
Do Free Dance Movements Communicate How We Feel? Investigating Emotion Recognition in Dance
Jahrbuch Musikpsychologie, 2021 Current research into music and free dance movement explores differences in corporeal articulation of basic emotions. Accordingly, Van Dyck et al. (2014, https://doi.org/10.1371/journal.pone.0089773) report congruent emotion recognition in free dance ...
Sinead White, Hauke Egermann
doaj +1 more source
User-oriented studies in embodied music cognition research
Musicae Scientiae, 2010 Music research aims at developing a research space that, in a proactive sense, can support the development of creative and cultural industries. In that context, we argue that a focus on users and their experiences in using tools may become more important in music research.
Leman, Marc +3 more
openaire +2 more sources
Frontiers in Psychology, 2017 The question motivating the work presented here, starting from a view of music as embodied and situated activity, is how can we account for the complexity of interactive music performance situations.
Anna Einarsson, Tom Ziemke, Tom Ziemke
doaj +1 more source
Frontiers in Education, 2019 This article considers the usefulness of the recently proposed “Teacher Behavior and Gesture (TBG) framework” for understanding the meaningfulness of teachers' hand gestures from an Enactive Cognition perspective (wherein cognition is fundamentally ...
Lilian Simones
doaj +1 more source
Neveléstudomány, 2022 Ebben az írásban a súlyos-halmozott fogyatékossággal élő személyek zenebefogadásával kapcsolatos kutatássorozat 2013–2022 között zajló folyamatát szeretnénk bemutatni. A súlyos-halmozott fogyatékossággal élő emberek kognitív képességeinek feltárása eddig nem sok figyelmet kapott. Mivel a többszörös fogyatékosság az információszerzés és a tudásszervezés
Luca Tiszai +2 more
openaire +1 more source
Mental Representations in Musical Processing and their Role in Action-Perception Loops
Empirical Musicology Review, 2015 I address the diverging usage of the term "imagery" by delineating different types of imagery, each of which is supported by multimodal mental representations that are informed and modulated by the body and its in- and outputs, and that in turn modulate ...
Rebecca S. Schaefer
doaj +1 more source
Frontiers in Psychology, 2020 Previous studies have shown that music may lead to spontaneous body movement, even when people try to stand still. But are spontaneous movement responses to music similar if the stimuli are presented using headphones or speakers?
Agata Zelechowska +7 more
doaj +1 more source
Musical Entrainment Subsumes Bodily Gestures – Its Definition Needs a Spatiotemporal Dimension
Empirical Musicology Review, 2012 In his paper “What is entrainment? Definition and applications in musical research” (this issue), M. Clayton offers a definition of entrainment that is based on a timing dimension (relative phase relationships).
Marc Leman
doaj +1 more source
Frontiers in Psychology, 2013 Music makes us move. Several factors can affect the characteristics of such movements, including individual factors or musical features. For this study, we investigated the effect of rhythm- and timbre-related musical features as well as tempo on ...
Birgitta eBurger +4 more
doaj +1 more source
From Motion to Emotion: Accelerometer Data Predict Subjective Experience of Music. [PDF]
PLoS ONE, 2016 Music is often discussed to be emotional because it reflects expressive movements in audible form. Thus, a valid approach to measure musical emotion could be to assess movement stimulated by music. In two experiments we evaluated the discriminative power
Melanie Irrgang, Hauke Egermann
doaj +1 more source