Results 41 to 50 of about 2,122 (157)
New music theatre and theories of embodied cognition [PDF]
, 2019 This chapter explains new music theatre through the lens of theories of ‘embodied cognition’, according to which musical perception is governed by the ‘mimetic hypothesis’, namely that listening involves an actual or imaginary attempt to imitate the sound-producing actions. It discusses their relevance for an understanding of modernist and experimental
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Performers and an Active Audience: Movement in Music Production and Perception
Jahrbuch Musikpsychologie, 2018 Musical communication involves performance and perception processes, both of which engage the sensorimotor system. In much of the performance science literature, however, musical communication is conceptualized as a one-way trajectory from active ...
Laura Bishop, Werner Goebl
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From Movement to Sound, from Sound to Movement: biocultural relations between dance and music
Revista Brasileira de Estudos da Presença, 2020 This article discusses the interactions between body and sound in the creative process characterized by the relation between dance, music and sonic experiments.
Andréia Nhur
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Musical creativity and the embodied mind [PDF]
Music & Science, 2018 The phenomenon of creativity has received a growing amount of attention from scholars working across a range of disciplines. While this research has produced many important insights, it has also traditionally tended to explore creativity in terms of the reception of products or outcomes, conceiving of it as a cognitive process that is limited to the ...
van der Schyff, D +4 more
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Music Cognition and Affect in the Design of Technology-Enhanced Music Lessons
Frontiers in Education, 2020 The present study addresses the lack of an instructional design methodology that guides the integration of technology in music listening and composition activities, and enriches the framework of Technological Pedagogical Content Knowledge (TPCK)—an ...
Elena Macrides, Charoula Angeli
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Music perception as embodied cognition: behavioral evidence of auditory cue effect
Contemporary Engineering Sciences, 2014 In this study, embodied effects of music perception were investigated and tested. Throughout the history of music cognition, recent emerging of embodied music cognition has showed significant implications. We had focused on the effect of music perception to changes in behavior matter, based on embodied cognitive perspectives.
Wooyong Yi +2 more
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Sensorimotor grounding of musical embodiment and the role of prediction: a review
Frontiers in Psychology, 2016 In a previous article, we reviewed empirical evidence demonstrating action-based effects on music perception to substantiate the musical embodiment thesis Maes et al. (2014).
Pieter-Jan eMaes
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Enactivism And Embodied Cognition In Education Of Music Teachers
European Proceedings of Social and Behavioural Sciences, 2017 The relevance of this work is related to the need to modernize the content of professional training of future music teachers in accordance with the current level of development of pedagogical science. The research problem is to consider the possibility of introducing some new aspects grounded on modern scientific approach to cognition and learning into
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Feelings and Ethics Education: The Film
Journal of Microbiology & Biology Education, 2014 There is an increasing body of evidence that not only cognition but also emotions shape moral judgment. The conventional teaching of responsible conduct of research, however, does not target emotions; its emphasis is on rational analysis.
Ioanna Semendeferi
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Empirical Musicology Review, 2015 Recent philosophical work on temporal experience offers generic models that are often assumed to apply to all sensory modalities. I show that the models serve as broad frameworks in which different aspects of cognitive science can be slotted and, thus ...
Maria Kon
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