Results 51 to 60 of about 2,122 (157)
Music, bodies and relationships: An ethnographic contribution to embodied cognition studies [PDF]
Psychology of Music, 2011 This article sets out the methodology and results of part of an ethnographic study of North Indian music performance where qualitative interviews were analyzed with grounded theory to explore how musicians conceive of musical communication. The findings highlight the importance of socially-responsive movement cues that musicians use to co-ordinate ...
openaire +2 more sources
Correspondences Between Music and Involuntary Human Micromotion During Standstill
Frontiers in Psychology, 2018 The relationships between human body motion and music have been the focus of several studies characterizing the correspondence between voluntary motion and various sound features.
Victor E. Gonzalez-Sanchez +2 more
doaj +1 more source
Composing Understandings: music, motion, gesture and embodied cognition
, 2019 This paper focuses on ongoing research in music composition based on the study of cognitive research in musical meaning. As a method and result at the same time, we propose the creation of experiments related to key issues in composition and music cognition, such as music and movement, memory, expectation and metaphor in creative process.
openaire +1 more source
The Harmonic Walk: An Interactive Physical Environment to Learn Tonal Melody Accompaniment
Advances in Multimedia, 2016 The Harmonic Walk is an interactive physical environment designed for learning and practicing the accompaniment of a tonal melody. Employing a highly innovative multimedia system, the application offers to the user the possibility of getting in touch ...
Marcella Mandanici +2 more
doaj +1 more source
Cogent Arts & HumanitiesSynaesthesia is defined as a multi-sensory phenomenon in which one sense can be triggered by another without external stimuli, for example seeing colours when hearing music.
Dominik Havsteen-Franklin +1 more
doaj +1 more source
Connection Science, 2017 In this article, we articulate preliminary insights from two pilot studies. These studies contribute to an ongoing process of developing empirical, cross-disciplinary measures to understand the cognitive and learning effects of complex artistic practices
Pil Hansen, Robert J. Oxoby
doaj +1 more source
, 2010 The aim of this thesis is to argue in favour of the embodied music cognition paradigm (hereafter: EMC), as opposed to traditional (computational) theories of musical mind. The thesis consists of three chapters. The goal of the first chapter is to (1) examine computational (disembodied) music cognition, focusing on the main problem of this approach ...
openaire +1 more source
Musical gestures and embodied cognition
, 2012 In this keynote, musical gestures will be discussed in relation to the basic concepts of the embodied music cognition paradigm.
openaire +2 more sources
Exploring gestural affordances in audio latent space navigation
Frontiers in Computer ScienceThe latent space of generative AI models affords unique creative possibilities and broad design space for AI-enhanced digital music instruments. While interface designs for latent space navigation typically rely on sound-producing gestures that involve ...
Shuoyang Jasper Zheng +2 more
doaj +1 more source
Frontiers in PsychologyIn this perspective paper, we explore the use of haptic feedback to enhance human-human interaction during musical tasks. We start by providing an overview of the theoretical foundation that underpins our approach, which is rooted in the embodied music ...
Aleksandra Michałko +3 more
doaj +1 more source