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ABSTRACT The article discusses aspects of the dialectics of genius cults in the nineteenth century, using examples of Mozart's reception: the unveiling of the Salzburg memorial statue in 1842, Franz Grillparzer's texts on Wolfgang Amadeus Mozart and his son Franz Xaver, as well as the artist's novella Der arme Spielmann.
Werner Michler
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Ekphrasis e enargeia na historiografia de Tucídides e no pensamento filosófico de Paul Ricoeur [PDF]
In the Greek schools of the Roman Empire, the handbooks of rhetoric (Progymnasmata) defined ekphrasis as a speech that brings the subject matter vividly before the eyes.
Martins Soares, Martinho Tomé
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Renaissance Studies, Volume 37, Issue 2, Page 153-165, April 2023.
Kate De Rycker, William T. Rossiter
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The article is devoted to the usage of categories of ‘enargeia’ and ‘energeia’ in the poem “Jerusalem Delivered” by Torquato Tasso in translation of Piotr Kochanowski, which was shown on selected examples. The article was divided into two parts.
Paulina Poterała
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The impact of the Netherlandish landscape tradition on poetry and painting in early modern England [PDF]
Copyright © 2013 The University of Chicago Press.The relationship between poetry and painting has been one of the most debated issues in the history of criticism. The present article explores this problematic relationship in the context of sixteenth- and
Becker +102 more
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Este trabajo hace ver cómo la écfrasis no solo se limita a la creación de un texto a partir de la observación detallada de una obra artística (escultura de Diana y Acteón), o a la descripción de esta por medio de ilustrativas y hermosas imágenes ...
Minor Herrera Valenciano
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In the Imagines, Philostratus the Elder mentions the «paintings (or writings) of Homer» (“Ὁμήρου γραφαί”). He repeatedly opposes them to a set of rival pictures: the paintings that the rhetor explains to his young audience.
Évelyne Prioux
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An embodied reading of epiphanies in Aelius Aristides' Sacred Tales [PDF]
This article focuses on the Sacred Tales (henceforth ST), Aelius Aristides’ first-person account of his terrible diseases and subsequent healing brought about by Asclepius, and sheds new light on this text with the help of the notion of embodiment. In
Bartsch +32 more
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« Notre âme est un tableau mouvant ». Énergétique des émotions et puissance de l’image chez Diderot
In the broader context of the sensualist theory of passions, Diderot ’s thought on drama and painting is an interesting point of view on the links between visuality and emotions in the 18th century.
Jean-Louis Haquette
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Nina Otto, Enargeia. Untersuchung zur Charakteristik alexandrinischer Dichtung
Christophe Cusset
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