Results 101 to 110 of about 2,370 (146)

Gassendi y la teología de Epicuro [PDF]

, 2007
Rodríguez Donís, Marcelino
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Kontrapunkt [PDF]

, 2017
Honold, Alexander
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Poltical Rhetorics in the Anti-Ottoman Literature [PDF]

, 2014
Kiss Farkas, Gábor
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Distancia [PDF]

, 2015
Bene, Sándor
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Enargeia, Enactivism and the Ancient Readerly Imagination

, 2018
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Enargeia and Bodily Mimesis

2019
This chapter analyses the ancient rhetorical concept of enargeia (‘visual vividness’) against the background of recent cognitively inflected research into embodied aspects of reading. While enargeia has usually been interpreted as involving the transference of mental images from author to reader by means of elaborate verbal descriptions (ekphrasis ...
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"Preposterous Conclusions": Eros, Enargeia, and the Composition of Othello

Representations, 1987
WHEN THOMAS RYMER PRONOUNCED his notorious judgment upon Othello in A Short View of Tragedy, he believed he had discovered a serious aesthetic flaw in one of Shakespeare's most popular plays. Warming to the pleasurable anatomy he was about to perform, Rymer declared, "Nothing is more odious in Nature than an improbable lye; And certainly never was any ...
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Rhetorical enargeia and linguistic pragmatics

Journal of Historical Pragmatics, 2004
Taking a combined theoretical and empirical approach, this essay studies the rhetorical implications of speech-reporting strategies in medieval East Slavic hagiography and homiletics. The author argues for a pragmatic approach to the study of a particular rhetorical concept: enargeia ‘the power of language to create a vivid presence of that which is ...
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Enargeia (ἐνάργεια) : l'évidence descriptive

L’article rappelle l’importance de la notion d’enargeia, qui est l’art de faire naître des images mentales chez le lecteur, dans les traités de rhétorique et la critique littéraire antique. Il revient sur sa définition, sa raison d’être (à une époque historique où les illustrations dans les livres sont rares), les procédés qui y concourent.
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Enargeia and the Spectator in Greek Historiography

Transactions of the American Philological Association (1974-), 1993
Lucian's ideal historian is like the sculptor Phidias both in the sense that he gives shape to the "raw material" (hyle) of history, and in the sense that his work has a powerful visual appeal for the reader. "[The historian] has to organize his facts (ta pepragmena) skillfully," Lucian stresses, "and express them as vividly (enargestata) as he can ...
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