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Enargeia and Its Illusions in Garcilaso's "Ode ad florem Gnidi"

2023
Garcilaso de la Vega's "Ode ad florem Gnidi" reflects the poet's heightened interest in classicism that marked his final years in Naples. This article traces the role of classical theories of visualization in the ode. I argue that the poem's self-conscious artifice suggests that its primary audience was the community of classicists that Garcilaso ...
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VI The Poetics of Ekphrasis and Enargeia

2012
The earliest statements regarding a poetics of description go back to the humanist Enea Silvio Piccolomini (1405-1464), later Pope Pius II. Here, in the context of various types of ekphrasis, emphasis is placed on the enargetic aim of ante oculos ponere.
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Justifying without Explaining. Epicurus on enargeia

According to a passage in Cicero’s Academica, some philosophers consideredit legitimate to justify the evidence (or self-evidence). This paper examines the view that Epicurusand his followers were among them. They did not claim to explain evidence,which would be contradictory since evident truth does not require any proof.However, they developed ...
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VII Enargeia in Teichoscopy and Messenger’s Report

2012
In dramatic technique, enargeia occurs as a classic descriptive device in teichoscopy and the messenger's report, for there things spatially and temporally absent are exhibited, not physically but narratively. A famous example of teichoscopy, perhaps the first in the history of theatre, is found in Agamemnon of the Greek dramatist Aeschylus.
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Beyond Enargeia: enargetic description in the Iliad

This dissertation explores how the Iliad achieves enargetic qualities in its language, the role that such language plays in the poem, and the effects of such language on the audience or reader. I use an extensive review of enargetic scenes and language in the Iliad alongside discussions of enargeia from ancient commentators and modern scholarship to ...
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Enargeia

2014
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