Results 11 to 20 of about 2,370 (146)
2i Revista de Estudos de Identidade e Intermedialidade, 2022 This essay focuses on the imagetic power of the word as a central element of the film 12 Angry Men (1957), directed by Sidney Lumet, with a screenplay by Reginald Rose from his writings and TV special (CBS, 1954, directed by Franklin Schaffner).
Helciclever Barros da Silva Sales
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Le paysage des offrandes votives chez Léonidas de Tarente
Cahiers Mondes Anciens, 2017 This paper offers an analysis of references to landscapes in Leonidas' epigrams. A comparison with Demetrius' paragraphs on enargeia enables us to shed light on the stylistics of his votive epigrams.
Évelyne Prioux
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Opis kozarjeve skodele v Teokritovi Prvi idili: realizem ali iluzija
Ars & Humanitas, 2017 Opis skodele v Teokritovi Prvi idili je vrivek, ki pa ni zgolj dekorativen, ampak je integralni del pesnitve. Notranja meja, ki opis loči od pripovedi, je nedoločljiva.
Ana Marija Lamut
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Aitia, 2022 This article offers a reading of the description of the Battle of Actium that closes the ekphrasis of the Shield (Aeneid, 8.671–728) in light of the description of the defeat of Salamis in Aeschylus’ Persians.
Florence Klein
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Aitia, 2015 The aim of this paper is to examine the place of vividness in Lycophron’s Alexandra. I will argue that, within the apparently haphazard juxtaposition of myths, Lycophron pays a constant attention to descriptive details in order to sketch, in his reader’s
Antonella Marandino
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From Enargeia to Immersion: The Ancient Roots of a Modern Concept [PDF]
Style, 2017 This article argues that the modern notion of immersion, a reader being absorbed in a virtual world to such a degree that she experiences it as if it were the actual world, has a predecessor in the ancient notion of enargeia “the power of bringing the things that are said before the senses of the audience.” First, it discusses how ancient Greek ...
Allan, R.J. +2 more
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Texte, image et imagination : le développement de la rhétorique de l’évidence à Rome
Pallas, 2013 Text and image: the proximity between these notions is inscribed in a rhetoric perspective through one decisive notion: the evidence (enargeia / euidentia).
Juliette Dross
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Visualizing the impossible: the wandering landscape in the Delos Hymn of Callimachus
Aitia, 2012 The Delos Hymn of Callimachus presents one of antiquity’s most astonishing descriptions of personified landscape. This article addresses two aspects of Callimachus’ almost surrealistic representation. First, I look in some
Jacqueline Klooster
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‘Where am I Now?’: The Articulation of Space in Shakespeare's King Lear and Marlowe's Dido, Queen of Carthage [PDF]
, 2015 English: This article considers the instability of the bare Elizabethan stage in relation to two significant early modern plays. Considering first King Lear as an example of the mimetic flexibility of the bare stage space, the article goes on to ...
Duxfield, Andrew
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Hypotypoza w Metamorfozach Owidiusza [PDF]
, 2016 Ovid’s Metamorphoses are an excellent text for the study of figures of speech, and in particular over hypotyposis (euidentia). Often hypotyposis, occurring in the company of other figures (enumeratio, accumulare res, comparatio, gradatio), plays a unique
Koźluk, Magdalena
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