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This study examines the end of art, focusing on the trivialization that has impacted art in the contemporary period, influenced by various challenges faced by modern society, including social media.
Khelifa MAHMOUDI, Wahid BELAKHDAR
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The aim of this paper is to challenge Fred Beiser's interpretation of Hegel's meta-aesthetical position on the future of art. According to Beiser, Hegel's comments about the “pastness” of art commit Hegel to viewing postromantic art as merely a form of ...
Paul Giladi
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Background Health and social care professionals experience high‐stress levels during end‐of‐life care. Various intervention programs have been proposed to reduce stress and prevent burnout among physicians and nurses, including arts‐based activities that
Minako Kamimoto +3 more
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The end of art, modernism and postmodernism [PDF]
This article tries to offer a contribution with regard to the understanding of the periods of modernism and postmodernism in the arts through a Hegelian point of view.
Torrecilha Gustavo
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Fin de l’art ? Noétique de la littérature [PDF]
The transformation of the arts, foreseen and announced by Hegel, coincides with the birth of modernity. One of its essential aspects is the noetic turn in literature, which can be seen as a manifestation of autoreflexivity within the framework of ...
Petr Kyloušek
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Littérature fin de siècle, littérature fin de langue ? Imaginaires linguistiques vers 1900 chez Remy de Gourmont [PDF]
The “fin-de-siècle” in France is pervaded by a particular concern about the future of the French language, which Remy de Gourmont echoes in several texts and articles (notably Esthétique de la langue française, La Destinée des langues and L’Influence ...
Cécile Gauthier
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Fin de l’art et la mélancolie [PDF]
Based on the theory of Arthur Coleman Danto I try to outline possible similarities between the state of art after its end and the state of melancholy. The melancholic breaks the order, thus paradoxically drawing its boundaries.
Anna Luňáková
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Deux Narcisse, miroirs des fins : essai d’interprétation hégélien [PDF]
This paper attempts to cross-read the End of Art as it is conceptualized by Georg Wilhelm Friedrich Hegel, and André Gide’s and Jean Lorrain’s versions of the myth of Narcissus.
Catherine Ébert-Zeminová
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De la Fin de l’art au Musée Imaginaire: Malraux lecteur de Hegel [PDF]
The article summarizes the major topoi of Hegelianism that Malraux adopts in his texts on art (The Voices of Silence, The Imaginary Museum and The Metamorphosis of the Gods), before focusing, in particular, on Malrucian interpretation of the end of art ...
Eva Voldřichová Beránková
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Fins de l’art : la réception de Hegel dans la littérature française du XIXe siècle [PDF]
In a period of global pandemic and confinement to our homes, the end of art is not only a philosophical hypothesis, it is a fact of society. We have experienced that modern societies, those that were able to make art an absolute at one point in their ...
Alain Patrick Olivier
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