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The Dystopian Grotesque in Enki Bilal’s The Carnival of Immortals
2016Grzegorz Czemiel +4 more
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SF Falling Apart: Enki Bilal's "Nikopol" cycle
2021Cet article montre comment la logique de décomposition est au cœur de la production de l’effet de monde science-fictionnel dans le cycle « Nikopol » de Bilal : les étrangetés thématisées (bâti, technologies, êtres vivants) et la matière du dessin (salissures de pastel, ratures, crayonnés) imposent ensemble un style-monde « déglingué » (Andrevon) qui ...
Huz, Aurélie, Langlet, Irène
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1999
Interview with Enki Bilal (2) "Accepting the idea of controlled amnesia." Enki Bilal, an illustrator and director, shares his perspective on the crucial issue of memory.
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Interview with Enki Bilal (2) "Accepting the idea of controlled amnesia." Enki Bilal, an illustrator and director, shares his perspective on the crucial issue of memory.
openaire +1 more source
Bulletin of Kemerovo State University of Culture and Arts
Against the backdrop of the rapid development of science fiction and the crisis of functionalism in architecture, a multitude of architectural utopias emerged, with comics becoming a source of vivid visualizations of fantastical cities.
L.I. Nekhvyadovich +2 more
semanticscholar +1 more source
Against the backdrop of the rapid development of science fiction and the crisis of functionalism in architecture, a multitude of architectural utopias emerged, with comics becoming a source of vivid visualizations of fantastical cities.
L.I. Nekhvyadovich +2 more
semanticscholar +1 more source
Interview with Translator Edward Gauvin
European Comic ArtIn this interview, award-winning translator and author Edward Gauvin reflects on his practice as a translator of over four hundred graphic novels, including works by major French comics artists, illustrators, and scriptwriters, such as Gébé, Marjane ...
Aubrey Gabel
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Monstrous Imaginaries, 2019
This chapter begins by drawing out the similarities between Baudelairian Romanticism—especially the Baudelairian monster, ennui—and the protagonists and aesthetics of Enki Bilal’s Monstretetralogy.
Maaheen Ahmed
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This chapter begins by drawing out the similarities between Baudelairian Romanticism—especially the Baudelairian monster, ennui—and the protagonists and aesthetics of Enki Bilal’s Monstretetralogy.
Maaheen Ahmed
exaly +2 more sources