Results 21 to 30 of about 350,405 (259)

Xinjiang Oirat Version of the Jangar and Its Epic Images: Means of Artistic Expression

open access: yesOriental Studies, 2020
Introduction. The study of stylistic features inherent to national epic narratives is one of the most relevant areas of modern folklore research. Of particular research interest ― in terms of identifying distinctive and typological features of the ...
Tsagana B. Seleeva
doaj   +1 more source

El ataque con la lanza como motivo transgenérico: de la épica francesa a los libros de caballerías

open access: yesAtalaya, 2016
This work analyses the framework and the formulaic materialization of each of the phases of the “couched charge,” an offensive technique performed with a lance that appeared at the end of the 11th century.
Pablo Justel
doaj   +1 more source

Understanding an Epic Song of the Hmong in Laos From The Perspective of Oral Composition

open access: yesAsian-European Music Research Journal, 2021
This article looks at an epic song performed by Hmong in Laos from a perspective of oral composition by analyzing a wedding song Leuangtengdong. Through detailed musical and textual transcription, several compositional devices are identified and ...
Zhang Xun [张寻]
doaj   +1 more source

About Glory, Crying and Formulas. Review of: Monuments of the Book Epic of West and East, ed. by S.Yu. Neklyudov, N.V. Petrov. Moscow, INFRA-M Publ., 2018. 482 p. [PDF]

open access: yesStudia Litterarum, 2021
The reviewed collective monograph edited by S. Neklyudov and N. Petrov focuses on issues of the book epic, monuments of ancient and medieval genre in between folklore and literature; the oral tradition in them is refracted and transformed in the process ...
Irina K. Staf
doaj   +1 more source

POETICS OF THE BASHKIR FOLK EPIC "URAL-BATYR"

open access: yesUluslararası Türk Lehçe Araştırmaları Dergisi, 2017
The article is devoted to the study of the poetics of the Bashkir folk epic "Ural-batyr". "Ural-batyr", created by the genius of the people on the basis of ancient mythology, is an invaluable monument not only of Bashkir but also of world culture.
Gölnar YULDIBAYEVA
doaj   +1 more source

The varieties of formulaic diction in Turkic oral epics [PDF]

open access: yesBalcanica, 2013
This article tries to show that the formulaic diction on the level of verse line and formulaic patterning in the composition of scenes are closely related and must be studied together. The analysis is done on the example of Turkic epics. Of the formulaic patterns the most prominent one is the variety of use of the attribute ak (white ...
openaire   +3 more sources

UNDERSTANDING OF THE SAGA IN THE GENERAL TURKISH LITERATURE

open access: yesUluslararası Türk Lehçe Araştırmaları Dergisi, 2019
Sagaism is the product of the primitive artistic thought, which reflects the centuries-old national-home life of the nation with its beauty and elegance, contradictions and contradictions.
Aynur Seferli
doaj   +1 more source

TRANSFORMATIONS OF THE GENRE OF BYLINA IN THE RUSSIAN LITERATURE OF THE 18TH CENTURY (the Plot of “Ilya Muromets and Nightingale the Robber”) [PDF]

open access: yesПроблемы исторической поэтики, 2016
In  the 18th  century, Russian literature was actively exploring folklore genres and characters. Th e bylina was one of the forms of interaction between folklore and literary genres. Some bogatyrs became literary characters.
Olga V. Zakharova
doaj   +1 more source

Techniques for Portraying a Main Character in Yakut Epic: Investigating Olonkho Texts of Nyurgun Bootur the Swift by P. Oyunsky and Kulun Kullustuur the Obstinate by I. Timofeev-Teploukhov

open access: yesOriental Studies, 2023
Introduction. The article examines Yakut heroic olonkho epics — Nyurgun Bootur the Swift by P. Oyunsky and Kulun Kullustuur the Obstinate by I. Timofeev-Teploukhov — for techniques employed to create portraits of main characters.
Gulnara E. Savvinova
doaj   +1 more source

Poetic grounds of epic formulae

open access: yesBalcanica, 2013
The study of oral formulae in the twentieth century had several phases. After the initial - very stimulating and influential - research by M. Parry and A. B. Lord, who focused on the technique of composing the poem and the mnemotechnic function of formulae, the focus at first shifted to the concept of performance (J. M.
openaire   +4 more sources

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