Results 91 to 100 of about 95,292 (247)

Mental health dividends of creative pursuits. [PDF]

open access: yesIndian J Psychiatry, 2023
Kumar V.
europepmc   +1 more source

Bret/BRAT

open access: yes
Critical Quarterly, EarlyView.
Nicholas Smart
wiley   +1 more source

From Tolstoy's Expressionism to Nietzsche's Skepticism of Philosophers' Neutrality—Constructing and Dismantling the Bridge Between Art and Philosophy

open access: yesThe Philosophical Forum, EarlyView.
ABSTRACT According to Tolstoy's theory of art, personal expression plays a crucial role as an essential artistic element since it is associated with originality and emotional communication. Is personal expression also significant in philosophy? We often tend to believe that in a philosophical theory, this element is, or should be, absent in the pursuit
Tiago Sousa
wiley   +1 more source

“Large” and “Small” poetic forms in new lyric-epic relationship (based on the poetry by M. Stepanova)

open access: yesRUDN Journal of Studies in Literature and Journalism, 2015
The article presents an analysis of the problems associated with the genre renewal of modern poetry, notes the importance of the concepts of “big” and “small” form to determine the boundaries of lyrical and lyric-epic genres.
U Y Verina
doaj  

Catherine de' Medici and the Forest of Orleans: Queenly Participation in Early Modern French Forest Management

open access: yesRenaissance Studies, EarlyView.
Abstract This essay demonstrates how a gender‐informed, more‐than‐human lens can provide new ways to analyse how the role of a queen in forestry management was conceptualised by sixteenth‐century professional men. It explores these ideas as they are presented in a work published by Guillaume Martin, Lieutenant General of the forests and waterways of ...
Susan Broomhall
wiley   +1 more source

‘I'm Dead!’: Action, Homicide and Denied Catharsis in Early Modern Spanish Drama

open access: yesRenaissance Studies, EarlyView.
Abstract In early modern Spanish drama, the expression ‘¡Muerto soy!’ (‘I'm dead!’) is commonly used to indicate a literal death or to figuratively express a character's extreme fear or passion. Recent studies, even one collection published under the title of ‘¡Muerto soy!’, have paid scant attention to the phrase in context, a serious omission when ...
Ted Bergman
wiley   +1 more source

A guerra sem guerra: a revisitação da epopeia por Pessoa e Sophia [PDF]

open access: yesPessoa Plural
This article examines the transformation of the classical theme of the epic in the works of Fernando Pessoa and Sophia de Mello Breyner Andresen, in dialogue with certain observations made by Cleonice Berardinelli regarding Os Lusíadas by Luís de Camões ...
Silva, Sofia Sousa
doaj   +1 more source

Theatre of the Mind: Hardy the Dynasts and the Question of Form

open access: yes, 2013
This essay analyzes Hardy’s rarely discussed epic-drama, The Dynasts, especially in relation to trends in the early twentieth-century drama.
Flynn, Suzanne J.
core  

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