Results 31 to 40 of about 25,021 (215)
Tekstid 16. ja 17. sajandi ratas- ja Malta ristidel [PDF]
Mäetagused, 2014 The earliest grave markers on the territory of Estonia are trapezium-shaped grave plates from the 13th-14th centuries – they show different symbols but usually no text.
Pille Arnek
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The date and context of the Astronomer's Life of Louis the Pious
Early Medieval Europe, Volume 34, Issue 1, Page 70-100, February 2026.The Astronomer's Life of the emperor Louis the Pious (814–40) is a canonical source for scholars of Frankish history. It sits at the centre of recent debates about the nature and tone of Carolingian political discourse, and about the crisis of the empire in the 830s.
Simon MacLean
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Tidskrift för Litteraturvetenskap, 2022 “Sepulchral Runes, Written in 1769” A Defamatory and Blasphemous Epitaph by Brynolph Hallborg The seventeenth and eighteenth centuries are the golden age of the poetic epitaph in Sweden and Europe.
Daniel Möller
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The Fettered and the Flea: A New Poem by Edmund Waller☆
Renaissance Studies, Volume 40, Issue 1, Page 41-54, February 2026.Abstract This contribution explores for the first time a 22‐line poem in a British Library manuscript, ‘To a young lady that kept a flea chay’nd in a box’, which can be convincingly ascribed to Edmund Waller. Its most famous relative is Donne’s ‘The Flea’, but its ancestry differs.
Stuart Gillespie
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Postmodernističke parodijske strategije u romanu Epitaf carskog gurmana Veljka Barbijerija
Anafora, 2014 Strategies of Postmodern Parody in Veljko Barbieri's Novel Epitaph for a Royal Gourmet The article analyzes features of parodic discourse of Barbieri's novel Epitaph of a Royal Gourmet through L. Hutcheon’s theoretical concepts.
Dubravka Brunčić
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The King's Evil Without the King: The Royal Touch during the Interregnum
Journal of Religious History, Volume 49, Issue 4, Page 439-454, December 2025.This article examines how far, and in what ways, the traditional belief that English monarchs could cure scrofula (the “King's Evil”) by royal touch survived during the eleven years of the Interregnum (1649–1660). Charles I had been executed and the monarchy abolished, and Charles II was in exile for the vast majority of this period. It might seem that
David L. Smith
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«TSEVNITSA» («PANPIPE») BY M. LERMONTOV: FEATURES OF THE GENRE
Филологический класс, 2018 The article is devoted to the analysis of the poem «Panpipe» («Tsevnitsa») by M. Lermontov and its genre nature. In understanding of the literary genre, the article relies on N. L. Leiderman’s concept.
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Charon in Epitaphs of John Geometres (Kyriotes)
Вестник Волгоградского государственного университета. Серия 4. История, регионоведение, международные отношения, 2018 Introduction. The poetic system of the images of John Geometres has a traditional antique origin, but surprisingly the characters of Geometres’ Hades and Charon acquire not an antiquarian, literary but a folkloric character. Methods.
Evgeniy V. Stelnik
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LiDAR‐Based Storytelling About a Historical Industrial Landscape in Southern Middle Tennessee
American Anthropologist, Volume 127, Issue 4, Page 817-832, December 2025.ABSTRACT Industrial landscapes play deep into the imagination of American consciousness, with coal mining rooted in Appalachian culture as both identity and political flashpoint. In Tennessee, coal mining coincided with the convict leasing system that operated across the American South during the late 19th and early 20th centuries.
Carla E. Klehm, V. Camille Westmont
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