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Un/published: Presence and Absence in Contemporary Erasure Poetry

American Literary History
Abstract Erasure is a popular form of appropriative poetry that refashions found material by partially effacing it. Made of salvaged fragments and deletion marks, erasure poetry puts processes of obliteration on display and provides a structural analogy for both the social erasure of marginalized groups and the critical rewriting of ...
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Das Kunstwerk sous rature. Erasure Poetry als appropriierende Meta-Kunst in der Tradition der Avantgarden

Germanica
„meine Grille / / macht […] das Haus / / auß“: So lautet ein Versfragment, das im Erasure-Poetry-Band sonne from ort von Uljana Wolf und Christian Hawkey in Sonett IV übrig bleibt. Die sogenannte Erasure Poetry streicht einen bestehenden Prätext aus, appropriiert ihn und setzt somit den herkömmlichen Begriff vom ‚Kunstwerk‘ sous rature. Mit dieser Meta-
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Poetry, Self-erasure and the Trace: Writing counter-history from an embodied archive

Axon: Creative Explorations, 2022
This essay presents a poetic life writing practice developed through material exploration with diaries, to expose hidden, unwritten traces of anorexic experience that escape the archival page. Anorexia flouts tenets of traditional autobiography, skewing memory and breaking the ‘autobiographical pact’ of a truthful and consistent narrator.
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From erasure poetry to e-mash-ups, “reel on/ another! power!”

Convergence: The International Journal of Research into New Media Technologies, 2016
This article builds on an analysis of Sea and Spar Between by Nick Montfort and Stephanie Strickland and Tree of Codes by Jonathan Safran Foer to examine print and digital forms of writing through resonance, replication, and repetition. It explores the plastic and textual space of the page and screen and focuses more specifically on the composition of
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Of Histories, Erasures and the Beloved: Glimpses into Philippine Contemporary Poetry

Asiatic: IIUM Journal of English Language and Literature, 2015
To attempt a definition of Philippine contemporary poetry is to confront its historical and literary legacies and upheavals. While it has already been said that the Philippine writing in English is one of the most expansive in Southeast Asia, this assessment remains but a strand in the country’s remarkably diverse literary milieu. There is much to be
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Erasure Poetry

“Is this art or can I clean up?” Erasure Poetry shows, not without irony, that this question also applies to canonical texts. In this phenomenon of contemporary literature, individual words or entire passages of text are made unrecognisable in order to create new poems.
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