Results 11 to 20 of about 111 (105)

Becoming-Animal in the Narrative and the Form of Reha Erdem’s Kosmos

CINEJ Cinema Journal, 2020
This article performs a narrative and aesthetic analysis of Reha Erdem’s movie, Kosmos (2009), through an engagement with Gilles Deleuze and Félix Guattari’s philosophical concept of becoming-animal. Erdem narrativizes the story of an odd traveller dervish named Kosmos, who has supernatural abilities and an expanded capability of communication—one that
Suphi Keskin, Burcu Baykan
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2000’ler Türk Sineması’nda Aidiyetsiz Kent İstanbul

Erciyes İletişim Dergisi, 2019
2000’ler Türk Sineması’nda İstanbul’un ne söylediği ve nasıl gösterildiği üzerinden hareket eden bu çalışmada, sinema ve kent meselesine bakarken kavramsal ve tarihsel bir kategorizasyona başvurulmuştur.
Şeyma Balcı
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Emerging Realist Tendencies in New Turkish Cinema through Magical, Spiritual, and Anthropocene Lenses

Türkiye Film Araştırmaları Dergisi
This study examines the emerging forms of reality through the lenses of Magical Realism, Spiritual Realism, and Anthropocene Realism in contemporary Turkish cinema.
İclal Can Gürbüz
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GMDH2: Binary Classification via GMDH-Type Neural Network Algorithms—R Package and Web-Based Tool

International Journal of Computational Intelligence Systems
Group method of data handling (GMDH)-type neural network algorithms are the self-organizing algorithms for modeling complex systems. GMDH algorithms are used for different objectives; examples include regression, classification, clustering, forecasting ...
Osman Dag, Erdem Karabulut, Reha Alpar
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The Big World – Reha Erdem and the Magic of Cinema

Markets, Globalization & Development Review, 2017
Reha Erdem’s latest film Big Big World (Koca Dünya) was selected for the “Horizons” (“Orizzonti”) section at the 73rd Venice International Film Festival in 2016 and won a prestigious special jury award. The Venice selection is standing for a tendency to hold on, and celebrate the so-called “World Cinema” along with Hollywood blockbusters and new ...
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Deterritorializing The Self: Becoming-Child in the Characters of Reha Erdem’s What’s A Human Anyway? (2004)

CINEJ Cinema Journal, 2022
Reha Erdem’s third feature-length movie, What’s a Human, Anyway? (2004) deals with the problems of male characters towards gender roles. This movie also connotes that these problems occur from the views of female characters and parents. Although Erdem’s films mostly concentrates on the toxic masculinity, What’s a Human, Anyway?
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Reha Erdem sinemasında mizansen yaratımı: “A Ay”

Gümüşhane Üniversitesi İletişim Fakültesi Elektronik Dergisi
Her yönetmenin kendine ait bir film dili vardır. Kadrajlama, kamera hareketleri, resimsel yaklaşımlar, montaj, kompozisyonel ahenk gibi yönetmenin özel yaklaşımlarıyla düzenlenen filmler yönetmenin aynı zamanda üslubunu oluşturur. Kameranın gösterdiği bu dil izleyicinin bakışını da derinden etkilerken yönetmenlerin film üretim tarzını dolayısıyla ...
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Reha Erdem sinemasında kadraj

, 2022
It is aimed to examine the relationship between painting and cinema, to make common framing analyzes based on similarities to cover a certain period, to examine the effect of painting art on cinema with the framing samples in Reha Erdem cinema, and to produce original works that link the determined cinema framings with the art of painting.
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The liminality of adolescence in Reha Erdem films

, 2021
94
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`Auteur kuram` çerçevesinde Reha Erdem sineması [PDF]

, 2019
This study consists of identifying the elements that make the director auteur as a result of the analysis of the feature films that made up Reha Erdem's filmography by using the structural analysis method. In this comprehensive study, `auteur theory` was determined as a guide. In the first part some given that what auteur theory is, how it emerged
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