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Ernő lendvai - Open Access .click
Results 1 to 10 of about 30 (30)

Zoltán Kodálys Harmonielehre – ein Rekonstruktionsversuch [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2021
Im Jahr 1907 begann Zoltán Kodály im Alter von 25 Jahren an der Budapester Musikakademie Musiktheorie und Komposition zu unterrichten. Bis zu seiner Pensionierung 1942 führte er mehrere Generationen ungarischer Komponist*innen, Musiktheoretiker*innen und
Anna Dalos
doaj   +1 more source

Zu zwei Bartók-Analysen von Albert Simon [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2011
Dem ungarischen Dirigenten Albert Simon war es als Musiktheoretiker darum zu tun, zu zeigen, warum und in welcher Weise die Musik Bartóks ›stimmt‹, obwohl sie sich weder der traditionellen Tonalität noch etwa Schönbergs Zwölftontechnik bedient. Zu diesem
Bernhard Haas
doaj   +1 more source

Albert Simon – ein ungarischer Autor [PDF]

open access: yesZeitschrift der Gesellschaft für Musiktheorie, 2011
Die vorliegenden Betrachtungen nehmen die Verortung der Tonfeldtheorie Albert Simons in der ungarischen Musiktheorie in den Blick. Der Vergleich mit ausgewählten Schriften ungarischer Autoren erhellt das Umfeld einiger für Simons Theorie grundlegender ...
Konstantin Bodamer
doaj   +1 more source

Homage to Schoenberg and Bartók: Symmetry, Transpositional Combination and Octatonicism in the First Movement of Roberto Gerhard's Quartetto No. 3

open access: yesMusic Analysis, Volume 39, Issue 2, Page 190-213, July 2020., 2020
ABSTRACT The first movement of Roberto Gerhard's Quartetto No. 3 (ca. 1927), his final assignment under Schoenberg, represents a direct homage to the teacher. Gerhard finished the movement with a clearly identifiable allusion to the minor and major chords that close Schoenberg's String Quartet in F♯ minor No. 2, Op. 10 (1907–8).
Diego Alonso Tomás
wiley   +1 more source

In Defense of Theory and Analysis: A Critical Evaluation of the Discipline and Its Application to Bartók’s Musical Language

open access: yesMusica Theorica, 2016
This paper defends an evaluation of Bartók’s music based on analytical procedures that use abstract theoretical concepts instead of, as advocate some scholars like László Somfai, restrict it to the scrutiny of compositional sketches and ...
Elliott Antokoletz
doaj   +1 more source

The Gates of Sky by Ede Terényi: Music Analysis

open access: yesStudia Universitatis Babeş-Bolyai. Musica
In our previous paper, we examined the genesis of the choral work, its textual and musical sources, the intellectual and cultural influences that may have played a role in its creation. Starting from this complex ideological background, in this paper we
Attila FODOR
doaj   +1 more source

Quantitative Analysis of Ferrate(VI) and Its Degradation Products in Electrochemically Produced Potassium Ferrate for Waste Water Treatment

open access: yesApplied Sciences
Potassium ferrate(VI) (K2FeO4) as a particularly strong oxidant represents an effective and environmentally friendly waste water treatment material. When produced by anodic oxidation in highly alkaline aqueous solution, the K2FeO4 product is separated ...
Zoltán Homonnay   +9 more
doaj   +1 more source

THE EXAMPLES OF AXIS - ORDER FUNCTIONAL THINKING IN THE WORKS OF ZOLTÁN KODÁLY

open access: yesStudia Universitatis Babeş-Bolyai. Musica, 2010
The functional axis-order in Bartók’s works, as the final consequence of the tempered ton system was discovered by Ernő Lendvai from the fifties of the twentieth century.
Péter ORDASI
doaj  

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