Results 21 to 30 of about 1,455 (165)
Annie Ernaux lectrice ou la genèse d’une écrivaine : d’Emma Bovary à Gustave Flaubert
Cet article se propose d’étudier la façon dont la lecture fut un élément essentiel dans la naissance à l’écriture d’Annie Ernaux. Deux formes de lectures différentes façonnent le parcours de l’écrivaine : des livres populaires, destinés à un public ...
Justine Muller
doaj +1 more source
La ri-mediazione digitale e la dissolvenza dell’io nel Photojournal di Annie Ernaux
The aim of the paper is the analysis of the Photojournal, an autobiographical photo-text dispositiv that Annie Ernaux composes as a preface to the volume of her works, Écrire la vie (Gallimard, 2011).
Roberta Coglitore
doaj +1 more source
Individualni spomin in družbena zgodovina v delih Annie Ernaux in Ivana Jablonke
V članku preučujem, kako se sodobni francoski avtobiografski roman spreminja in razvija iz osebne izpovedne proze v preplet avtobiografije, generacijskega romana in socialne proze, kakršnega v francoski književnosti doslej ni bilo.
Florence Gacoin-Marks
doaj +1 more source
L’écriture plate n’existe pas.
Coined by Annie Ernaux, the concept of “flat writing” has gradually become established among journalistic and academic criticism. However, comparing this notion to the reality of Ernaux’ work shows that even though it can be a useful tool of analysis, it
Clara Cini, Laélia Véron
doaj +1 more source
Annie Ernaux Up Close: On Trauma and Style
:Annie Ernaux’s prose is haunted by trauma and cannot avoid contradictions between a need to tell and the impossibility of representing what happened.
E. Ender
semanticscholar +1 more source
Dead time, hard time, and narrative redemption: Delimiting the life proper
Abstract Is every detail of your life a candidate for the meaningful, valuable, or worthwhile? If not, which do you exclude? Thaddeus Metz nominates “dead time”: the nail‐clipping, line‐waiting, traffic‐jam enduring, generally commonplace moments of our life. Dead time, while prevalent, is not remarkable. Metz recommends that we set at least some of it
Kathy Behrendt
wiley +1 more source
Annie Ernaux : l’art de la trace
La vie marque et laisse des empreintes indélébiles. Écrire la vie, c’est sauver de l’effacement et restituer une histoire individuelle ou collective à la croisée de la réalité et de la fiction.
Iringó Cora
semanticscholar +1 more source
Mit Annie Ernaux im Supermarkt
Der Supermarkt bzw. das Einkaufszentrum ist bis heute ein literarisch wenig beachteter Raum. Die französische Autorin und Literaturnobelpreisträgerin Annie Ernaux bietet mit Regarde les lumières mon amour (2014) das Tagebuch einer Shopping Mall ...
Lea Sauer
semanticscholar +1 more source
Autofiction as relational mediation: A Ghost in the Throat and To Write as if Already Dead
Abstract Because of its exploration of the self and the resemblance to online styles of publishing, autofiction has been accused by certain scholars of reflecting neoliberal tendencies. Hans Demeyer and Sven Vitse have developed a more nuanced view on the relation between autofiction and neoliberalism.
Stijn De Cauwer
wiley +1 more source

