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Bulletin of Hispanic Studies, 1956
The years of the first world war mark a division in the works of Valle-Inclan. The plays, novels and stories of the pre-1914 era show no trace of the bitter anger and satire which were to dominate all the works from 1920 onwards, though in some of the farsas, for example La cabeza del dragon, there are signs of the comedy being tinged with a mild irony.
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Valle-Inclán: The Mirroring of the Esperpento

Modern Drama, 1998
Every year, on World Theatre Day, a leading Spanish playwright is elected to drape a white scarf round the statue of Ramón Maria del Valle-Inclán, which stands on one of Madrid's main thoroughfares, the Paseo del Prado. It is a simple ceremony, emphasising the special place held by Valle in that process of the rehabilitation of the neglected figures ...
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The Esperpento and Aesthetics of Commitment

MLN, 1966
Ortega y Gasset's early observation that Valle-Inclan wrote well but that he was wasting his talents was also a forecast because the change from the decadent refinements of the Sonatas to the disconcerting realities of the esperpento signaled a new literary orientation.' The world of the esperpentos is an unsettling world: there is tragedy and there is
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Funcion del esperpento en "Tirano Banderas"