Results 21 to 30 of about 2,086,481 (283)

Archiveology: Walter Benjamin and Archival Film Practices

open access: yesResearch in Film and History, 2018
The term ‚archiveology‘ is a neologism that can help us understand a mode of film language in which authorship is transformed into practices of research, appropriation, borrowing and recycling.
Russell, Catherine
doaj   +1 more source

IT’S ABOUT TIME: Trying an Essay Film

open access: yesText Matters, 2020
This essay is about the essay, a form (as Adorno called it) of thought alive that is partial in the two senses of the word: subjective and fragmented. Thinking as social, performative, and always un-finished; as dialogic.
Mieke Bal
doaj   +1 more source

“Where Does This World End?” Space, Time and Image in Harun Farocki’s Parallel I-IV

open access: yesImaginations: Journal of Cross-Cultural Media Studies, 2023
Harun Farocki’s last completed installation film, Parallel I-IV, opens with a collection of video game landscapes grouped together by elements of earth, fire, water, and air, engaging a non-vococentric film essay style to reflect upon material ...
Joshua Synenko
doaj   +1 more source

Etiudy Agnieszki Osieckiej

open access: yesImages, 2012
Agnieszka Osiecka’s Student Films In 1957, the famous young Polish poet and song lyrics writer Agnieszka Osiecka (1936-1998) began studying in the Film School in Łódź. She studied film directing in 1957-1961.
Marek Hendrykowski
doaj   +1 more source

Residual tail twisting in ascidian larvae is stabilized by asymmetric myofibrils that resist bilateral symmetry restoration

open access: yesFEBS Letters, EarlyView.
Ascidian Ciona larvae initially show strong clockwise tail twisting, which is largely corrected during development. However, a small residual twist remains. This study shows that organized helical myofibrils in tail muscles mechanically stabilize this residual asymmetry, preventing complete restoration of bilateral symmetry and revealing how embryos ...
Yuki S. Kogure   +3 more
wiley   +1 more source

Salmonella lipopolysaccharide‐containing supported lipid bilayers as platforms to study bacteriophage interactions

open access: yesFEBS Letters, EarlyView.
We present robust protocols for the preparation of supported lipid bilayers (SLBs) incorporating either Salmonella smooth LPS or outer membrane vesicles (OMVs). We use a combination of quartz crystal microbalance with dissipation (QCM‐D) and fluorescence microscopy to both characterize the SLBs of various compositions and to probe their interactions ...
Hudson P. Pace   +6 more
wiley   +1 more source

The World Essay Film and the Politics of Traceability

open access: yes, 2019
Genèse d’un repas (L. Moullet, 1979), Ananas (A. Gitai, 1984) and The Forgotten Space (N. Burch & A. Sekula, 2010) constitute three attempts of cinematically representing the supply chain, i.e.
Avezzù, Giorgio
core   +3 more sources

The The Work of Art as a Fictionalized Duplicate of Life: Boris Lehman's Babel film project in the Light of Marcel Proust's In Search of Lost Time

open access: yesArte, Individuo y Sociedad
Belgian filmmaker Boris Lehman has created what is surely the most ambitious film diary in the history of cinema, Babel, a twenty-four-hour film divided into nine parts and several appendices, which traces a sort of sublimated filmic duplicate of the ...
Guillermo G. Peydró
doaj   +1 more source

ABL kinase‐dependent phosphorylation of SH proteins promotes their direct interaction with CRK family SH2 domains

open access: yesFEBS Letters, EarlyView.
CT10 regulator of kinase (CRK) and CRK‐Like (CRKL) are signaling adaptors driving cell adhesion, motility, differentiation, and proliferation. SH2‐domain containing (SH) proteins are enriched in YXXP motifs which when phosphorylated create preferred binding sites for CRK family SH2 domains.
Phoebe M. Cousens   +8 more
wiley   +1 more source

Science and Film-making [PDF]

open access: yes, 2015
The essay reviews the literature, mostly historical, on the relationship between science and film-making, with a focus on the science documentary. It then discusses the circumstances of the emergence of the wildlife making-of documentary genre.
Jean-Baptiste Gouyon, Gouyon, J-B
core   +1 more source

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