Results 1 to 10 of about 1,311 (157)

Using ethnographic film in tackling podoconiosis. [PDF]

open access: yesTrans R Soc Trop Med Hyg, 2020
Abstract Background Ethiopia has one of the worst podoconiosis rates in the world, affecting >1.5 million patients. We present our ethnographic film ‘Tigist, the story of a girl with podoconiosis’ and its potential use in tackling podoconiosis ...
Cremers AL   +7 more
europepmc   +4 more sources

Vision and visuality: Regimes of knowledge and appropriation of others in ethnographic museums and ethnographic film [PDF]

open access: yesGlasnik Etnografskog Instituta SANU, 2010
This paper presents some similarities between epistemological paradigms in anthropological museum exhibitions and ethnographic films. Both the museum and ethnographic films are analysed as the models of representations based on the domination of vision ...
Simić Marina
doaj   +1 more source

The Interdisciplinary Interplay Between “the Scientific” and “the Aesthetic” in Mantas Kvedaravičius’s Barzakh

open access: yesActa Academiae Artium Vilnensis, 2023
The paper delves into the persistent tension between “the scientific” and “the aesthetic” dimensions within ethnographic filmmaking, particularly through the lens of observational cinema.
Narius Kairys
doaj   +1 more source

Participatory Ethnographic Film: Video Advocacy and Engagement with Q’eqchi’ Maya Medical Practitioners in Belize

open access: yesEngaged Scholar Journal, 2020
There continues to be significant debate about what constitutes an “ethnographic film.” Contemporary standards for production require large budgets and sophisticated film crews, and as a result marginalizes those films produced at the local level ...
James Waldram
doaj   +1 more source

Understanding the traditional customary law of the Yi people via ethnographic film collaborative ethnographic film making process

open access: yesInternational Journal of Anthropology and Ethnology, 2020
This paper will take the film The Rules from Ancestors as the basis to discuss the “writing” process of ethnographic film, addressing how a contemporary visual ethnography can be realized through the presentation of a film on ethnic culture.
Tao Pang
doaj   +1 more source

Encountering the Goddess in the Indian Himalaya: On the Contribution of Ethnographic Film to the Study of Religion

open access: yesReligions, 2021
This paper examines the benefits of ethnographic film for the study of religion. It argues that the exploration of gaps between colloquial descriptions of divinities and their practical manifestation in ritual is instructive of the way religious ...
Arik Moran
doaj   +1 more source

Saisir la sobriété énergétique par la sobriété ethnofilmique

open access: yesSocio, 2023
The lightness of the filmic device, the versatility of the researcher-cinematographer, the principle of non-intervention on the observed reality and the experimental character of the ethnofilmic approach constitute, on the one hand, the expression of a ...
Violeta Ramirez
doaj   +1 more source

When You Are In The Sea

open access: yesJournal of Anthropological Films, 2019
The film follows two fishermen from the Greek village Skala Sikamineas, on the island of Lesvos, who were nominated for the Nobel Peace Prize for their efforts in saving people crossing the waters from Turkey to Greece.
Jack Jones, Ann-Kathrine Kvaernoe
doaj   +1 more source

Traditional Northern communities in ethnographic film: Khanty. The case of the documentary film Tiny Katerina

open access: yesEtnoAntropologia, 2018
This article investigates the representation of traditional culture in ethnographic films among the indigenous peoples of the Russian North. The special attention is paid to childhood in traditional culture of Khanty peoples in Ugra. The article focuses
Ivan Golovnev, Elena Golovneva
doaj   +4 more sources

Traditional ethnocultural communities in Soviet cinema: «Hunting and reindeer breeding in the Komi region»

open access: yesФинно-угорский мир, 2019
Introduction. Visually-anthropological experiments in Russia have more than a century of history, reflected, in particular, in the corpora of Soviet ethnographic films in the 1920s – 1930s.
Ivan A. Golovnev
doaj   +1 more source

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