Results 111 to 120 of about 1,311 (157)
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2021
In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history
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In the past decades cultural heritage stored at museums and archives has been returned to source communities in various forms and under diverse circumstances. This contribution to the Elements series explores and discusses specifically the return of digital 'ethnographic' images to indigenous and non indigenous people that share a common recent history
openaire +2 more sources
Filming ethnographic Portugal: Miguel Gomes and the last taboo
Journal of Romance Studies, 2016This article sets out to trace three frames of Portuguese cinematic archive reference (silenced imperial Portuguese propaganda; 1950s romantic comedy, and auto-ethnographic cinema) in Miguel Gomes's film Tabu (2012). Asking how Portugal situates itself meta-cinematically in relation to the problems of colonial nostalgia and imperial disavowal, this ...
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A Future for Ethnographic Film?
Journal of Film and Video, 2008ETHNOGRAPHIC FILM IS A CONTESTED GENRE, not unlike the documentary. The majority opinion is that an ethnographic film is any documentary that focuses on non-Western people (see Heider). The adjective "ethnographic" is used in a very loose manner, similar to the way psychological or historical is applied to a film. Few people expect a psychological film
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Lithium-film ceramics for solid-state lithionic devices
Nature Reviews Materials, 2020Yuntong Zhu +2 more
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