Results 171 to 180 of about 27,438 (210)
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2021
AbstractThe introductory chapter to each of the two volumes in Transforming Ethnomusicology offers a critical discussion of a range of socially engaged approaches as well as their deep historical roots that we consider foundational and fundamental to the ethnomusicological endeavor.
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AbstractThe introductory chapter to each of the two volumes in Transforming Ethnomusicology offers a critical discussion of a range of socially engaged approaches as well as their deep historical roots that we consider foundational and fundamental to the ethnomusicological endeavor.
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1992
Abstract A discipline that combines scientific and humanistic methods of research to study human musical communication. The claims of ethnomusicology to be scientific are supported by its use of the phonograph and electrical instruments, enabling people to measure accurately the varieties of musical scales and to listen repeatedly to the
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Abstract A discipline that combines scientific and humanistic methods of research to study human musical communication. The claims of ethnomusicology to be scientific are supported by its use of the phonograph and electrical instruments, enabling people to measure accurately the varieties of musical scales and to listen repeatedly to the
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Ethnomusicology of Citizenship, Ethnomusicology as Citizenship
2023Abstract This chapter explores and contextualizes the recent ethnomusicological preoccupation with citizenship. Ethnomusicology’s engagement with the term ‘citizenship’ started under the rubric of ‘sonic citizenship’—though this term soon disappeared; “citizenship” subsequently filtered into chapter headings, conclusions, footnotes, and ...
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Yearbook for Traditional Music, 2010
“Ethnomusicological theory,” despite its name and despite the fact that it in some ways permeates our field, has yet to take firm root in our disciplinary imagination. Indeed, the phrase appears to be used rarely, in comparison to references to an unmodified “theory” in or for ethnomusicology.
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“Ethnomusicological theory,” despite its name and despite the fact that it in some ways permeates our field, has yet to take firm root in our disciplinary imagination. Indeed, the phrase appears to be used rarely, in comparison to references to an unmodified “theory” in or for ethnomusicology.
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Introduction to Ethnomusicology
1969The study-object of ethnomusicology, or, as it originally was called: comparative musicology, is the traditional music and musical instruments of all cultural strata of mankind, from the so-called primitive peoples to the civilized nations. Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music.
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Journal of the International Folk Music Council, 1966
Gilbert Rouget, Bruno Nettl
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Gilbert Rouget, Bruno Nettl
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