Results 11 to 20 of about 27,366 (210)
ABSTRACT Julian Horton's 2020 article on the ‘necessity of analysis’ delineates previous critiques of music analysis into the performative and the historicist and counters their assumptions. He proposes that analysis remains viable in light of historical, ontological, systemic, discursive, phenomenological and political imperatives.
Kofi Agawu +8 more
wiley +1 more source
We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music [PDF]
Instrumental performance, leadership, and authorship by women in music has historically been subjected to various repressive regimes, while many of the prejudices and restrictions regarding female musicking can still be discerned in contemporary
Nenić Iva
doaj +1 more source
Unearthing Ethnocentrism in Music Research: Latin American Experiences with Ethnomusicology [PDF]
Latin American ...
Santamaria, Carolina
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Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
wiley +1 more source
The effect of virtual social networks on the musical life of North Khorasan from the 80s until now [PDF]
The topic of this article is the influence of virtual social networks on music and musicians of North Khorasan. The music of North Khorasan in the 80s has been influenced by virtual networks.
Seyed Hossein Meisami, Simin Damavandi
doaj +1 more source
The Latin Music Database [PDF]
In this paper we present the Latin Music Database, a novel database of Latin musical recordings which has been developed for automatic music genre classification, but can also be used in other music information retrieval tasks.
Kaestner, Celso A.A. +2 more
core +1 more source
Abstract “Shared soundscapes” is a key concept that allows us to identify the multiplicity of agencies involved in historical sound recordings and their reactivation today. We use the notion to compare two very different Peruvian case studies concerning Asháninka and Nomatsiguenga peoples of the Central Rainforest and Muchik, Quechua, and mestizo ...
Rocío Barreto +3 more
wiley +1 more source
“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality [PDF]
This article explores the emergence of the internet as an alternative sphere of musical circulation, focusing on the case of Iran and specifically certain kinds of music for which the internet has become the primary arena of musical sociality, in some ...
Nooshin, L.
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Abstract The introduction first gives insights into the state of the art of sound “repatriation” concerning the way historical and current recordings of verbal arts, music, and dance are brought back into circulation in originating communities. Sound restitution also seeks to level the epistemological divide resulting from conventional archiving.
Ingrid Kummels, Gisela Cánepa
wiley +1 more source
Sound and space—however one defines these terms—are phenomenologically and ontologically ...
Andrew Eisenberg
core +1 more source

