Results 11 to 20 of about 27,366 (210)

Valuing the Surplus: Perspectives on Julian Horton's Article ‘On the Musicological Necessity of Music Analysis’, Musical Quarterly, 3/i–ii, pp. 62–104.Contributors: Kofi Agawu, Gurminder K. Bhogal, Esther Cavett, Jonathan Dunsby, Julian Horton, Alexandra Monchick, Ian Pace, Henry Stobart and Simon Zagorski‐Thomas, compiled and edited by Esther Cavett

open access: yesMusic Analysis, Volume 42, Issue 3, Page 412-471, October 2023., 2023
ABSTRACT Julian Horton's 2020 article on the ‘necessity of analysis’ delineates previous critiques of music analysis into the performative and the historicist and counters their assumptions. He proposes that analysis remains viable in light of historical, ontological, systemic, discursive, phenomenological and political imperatives.
Kofi Agawu   +8 more
wiley   +1 more source

We are not a female band, we are a band!”: Female performance as a model of gender transgression in Serbian popular music [PDF]

open access: yesMuzikologija, 2015
Instrumental performance, leadership, and authorship by women in music has historically been subjected to various repressive regimes, while many of the prejudices and restrictions regarding female musicking can still be discerned in contemporary
Nenić Iva
doaj   +1 more source

Resocializing recordings: Collaborative archiving and curating of sound as an agent of knowledge transfer

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 193-205, September 2023., 2023
Abstract The authors discuss their methodologies for creating and relistening to recordings in collaboration with Indigenous People in Peru and Venezuela and contextualize them within the discourse about overcoming power structures that shape divides between the Global North and South, in both urban and rural trajectories, and in Western and Indigenous
Matthias Lewy, Bernd Brabec
wiley   +1 more source

The effect of virtual social networks on the musical life of North Khorasan from the 80s until now [PDF]

open access: yesTaḥqīqāt-i Farhangī-i Īrān
The topic of this article is the influence of virtual social networks on music and musicians of North Khorasan. The music of North Khorasan in the 80s has been influenced by virtual networks.
Seyed Hossein Meisami, Simin Damavandi
doaj   +1 more source

The Latin Music Database [PDF]

open access: yes, 2008
In this paper we present the Latin Music Database, a novel database of Latin musical recordings which has been developed for automatic music genre classification, but can also be used in other music information retrieval tasks.
Kaestner, Celso A.A.   +2 more
core   +1 more source

Shared soundscapes: The (re)activation of an institutional and individual archive of Peruvian music and dance

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 206-218, September 2023., 2023
Abstract “Shared soundscapes” is a key concept that allows us to identify the multiplicity of agencies involved in historical sound recordings and their reactivation today. We use the notion to compare two very different Peruvian case studies concerning Asháninka and Nomatsiguenga peoples of the Central Rainforest and Muchik, Quechua, and mestizo ...
Rocío Barreto   +3 more
wiley   +1 more source

“Our Angel of Salvation”- Towards an Understanding of Iranian Cyberspace as an Alternative Sphere of Musical Sociality [PDF]

open access: yes, 2018
This article explores the emergence of the internet as an alternative sphere of musical circulation, focusing on the case of Iran and specifically certain kinds of music for which the internet has become the primary arena of musical sociality, in some ...
Nooshin, L.
core   +1 more source

Editors’ introduction to Sound “Repatriation” in South America: The Politics of Collaborative Archive Reactivations

open access: yesThe Journal of Latin American and Caribbean Anthropology, Volume 28, Issue 3, Page 185-192, September 2023., 2023
Abstract The introduction first gives insights into the state of the art of sound “repatriation” concerning the way historical and current recordings of verbal arts, music, and dance are brought back into circulation in originating communities. Sound restitution also seeks to level the epistemological divide resulting from conventional archiving.
Ingrid Kummels, Gisela Cánepa
wiley   +1 more source

Space [PDF]

open access: yes, 2015
Sound and space—however one defines these terms—are phenomenologically and ontologically ...
Andrew Eisenberg
core   +1 more source

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