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Ethnomusicological Theory

Yearbook for Traditional Music, 2010
“Ethnomusicological theory,” despite its name and despite the fact that it in some ways permeates our field, has yet to take firm root in our disciplinary imagination. Indeed, the phrase appears to be used rarely, in comparison to references to an unmodified “theory” in or for ethnomusicology.
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Introduction to Ethnomusicology

1969
The study-object of ethnomusicology, or, as it originally was called: comparative musicology, is the traditional music and musical instruments of all cultural strata of mankind, from the so-called primitive peoples to the civilized nations. Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music.
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Ethnomusicology

Jahrbuch für Volksliedforschung, 1995
Wolfgang Suppan, Helen Myers
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Ethnomusicology

Western Folklore, 1961
Mantle Hood, Jaap Kunst
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Ethnomusicology

Journal of the International Folk Music Council, 1966
Gilbert Rouget, Bruno Nettl
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Ethnomusicology

The Musical Times, 1968
Laurence Picken, Emilia Comisel
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Music Theory in Ethnomusicology

Journal of Music and Theory
Eshantha Peiris
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