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Cartography and Ethnomusicology
Ethnomusicology, 1958soned out only in more complex phases of its development, as in the high cultures. It is impossible, then, to apply the old historic-literary method based on chronology and the interpretation of written documents to the study of such traditional music; rather, the methods of experimental science, above all, those of the biological sciences, apply best ...
Paul Collaer, Alan P. Merriam
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Interpretation, resonance, embodiment: affect theory and ethnomusicology
, 2020Theorising the relationship between music and affect is nothing new; scholars have long engaged the ways music expresses and influences emotions and bodily intensities.
Katie J. Graber, M. Sumera
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Ethnomusicology of the Creative Process
2021Abstract This chapter provides a critical history of ethnomusicology of the creative process, from the first works on oral-tradition societies and their “instinct of variation” to the most recent reflections on transcultural music and digital audio production.
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Ethnomusicology, Music Education, and the Power and Limitations of Social Media
, 2020This chapter looks at the field of ethnomusicology and its unique contributions to music education, with specific attention to how both fields are impacted by social media.
David G. Hebert, Sean Williams
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Ethnomusicology beyond #MeToo: Listening for the Violences of the Field
, 2020This article is an attempt to move beyond the common metaphor of “flows” to describe how music moves in an era commonly thought of as globalized. “Circulation” seems to be a term in frequent usage these days, referring to people as well as goods, an idea
Appert, Lawrence
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Application of Ethnomusicology Research Methods in Chinese Music History
, 2020This paper takes the history of Chinese music as the research object and the application of ethnomusicology research methods in the history of Chinese music as the research goal.
YaoLiu
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Unspittable: Long-Form Ethnographic Music Video as Cine-Ethnomusicology Research-Creation
, 2020Cine-ethnomusicology, the cinematic study of music culture, is an emerging discipline in ethnomusicology. Benjamin Harbert, a leading figure in this movement, has called for a critical cinema of music to blend ethnomusicology and film studies.
Michael B. Macdonald
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Yearbook for Traditional Music, 2010
“Ethnomusicological theory,” despite its name and despite the fact that it in some ways permeates our field, has yet to take firm root in our disciplinary imagination. Indeed, the phrase appears to be used rarely, in comparison to references to an unmodified “theory” in or for ethnomusicology.
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“Ethnomusicological theory,” despite its name and despite the fact that it in some ways permeates our field, has yet to take firm root in our disciplinary imagination. Indeed, the phrase appears to be used rarely, in comparison to references to an unmodified “theory” in or for ethnomusicology.
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The Evolution of Ethnomusicology
Journal of the Royal Musical Association, 2010Bennett Zon, Representing Non-Western Music in Nineteenth-Century Britain. Rochester, NY: University of Rochester Press, 2007. xviii + 344 pp. ISBN 978 1 58046 259 4.
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Introduction to Ethnomusicology
1969The study-object of ethnomusicology, or, as it originally was called: comparative musicology, is the traditional music and musical instruments of all cultural strata of mankind, from the so-called primitive peoples to the civilized nations. Our science, therefore, investigates all tribal and folk music and every kind of non-Western art music.
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