Results 41 to 50 of about 27,447 (272)
Explaining the rationale and main objectives for his motif system; Stith Thompson declared that it emulates what “the scientists have done with the worldwide phenomena of biology” (Thompson 1955, I, p. 10).
Hasan M. El-Shamy
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Musicalizing the Heart Sutra: Buddhism, Sound, and Media in Contemporary Japan
In Japan, explicitly religious content is not commonly found in popular music. Against this mainstream tendency, since approximately 2008, ecclesiastic and non-ecclesiastic actors alike have made musical arrangements of the Heart Sutra.
Duncan Reehl
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Book Review: Mirage (Kanal in Tamil) [PDF]
Book review of Mirage (Kanal in Tamil). By K. Daniel. Translated by Subramaniam Jebanesan.
Santiago, Amitha
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Folklore and sociolinguistics exist in a symbiotic relationship; more than that, at points—in the ethnography of communication and in ethnopoetics, for example—they overlap and become indistinguishable.
John Holmes McDowell
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The Oxford Handbook of Applied Ethnomusicology
In July 2015, Oxford University Press published a substantial volume titled The Oxford Handbook of Applied Ethnomusicology, co-edited by two eminent ethnomusicologists, Svanibor Pettan and Jeff Todd Titon.
Jasmina Talam
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With Bruno Nettl’s passing on 15 January this year, the world of ethnomusicology lost one of its major figures, a scholar who significantly contributed to its affirmation as an academic field worldwide, and who inspired and kept supporting generations of
Svanibor Pettan
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Bali Healing Ritual in Sri Lanka from a Medical Ethnomusicology Perspective
Medical ethnomusicology, a new growing sub-field of ethnomusicology takes into consideration on an equal basis music, medicine/healing and culture.
Lasanthi Manaranjanie Kalinga Dona
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Cultivation of global consciousness through intercultural music engagement
Abstract This article explores the potential for intercultural music engagement to cultivate global consciousness through an overview of interdisciplinary research into this social practice, and literature on cultural identity, diversity and globalisation more broadly.
Trisnasari Fraser
wiley +1 more source
Folk dance ensembles within minority ethnic communities (Albanian, Bosniak, Montenegrin, Croatian, Macedonian and Serbian) in Slovenia were formed in the 1990s, after the breakup of Yugoslavia.
Drago Kunej, Rebeka Kunej
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GLOBALIZATION AND ETHNOMUSICOLOGY
The interpretation of the category “genre” which is presented based on the classification of makom, due to its internal nature, causes disagreement among the scholars, and difficulties due to its designation of a specific type of work and/or national art form. In particular, the emphasis on circumstances related to the centuries-old, extended, regional,
D. F. Karomat+3 more
openaire +2 more sources