Results 1 to 10 of about 204 (58)

La documentation filmique comme contribution à la constrution d'une memoire en danse: aspects et problemes méthodologique à partir du cas du Kutiyattam indien [PDF]

open access: yes, 2016
Nel 1979, un gruppo di ricerca dell’università di Roma diretta da Ferruccio Marotti a girato in Kerala una serie di film di grande valore documentario che hanno come protagonista Ammannur Mâdhava Chakyar, uno dei più grandi interpreti di Kutiyattam del ...
DI BERNARDI, Vito
core   +4 more sources

« Le Diable » de Rita Renoir (1972). Ethnoscénologie d’un mimodrame porno-sataniste [PDF]

open access: yes, 2020
“The Devil” by Rita Renoir (1972): Ethnoscenology of a satanic porn mime drama. Le Diable (The Devil) was staged by Rita Renoir at the Théâtre de Plaisance in Paris in 1972.
PHILIPPE-MEDEN, Pierre
core   +4 more sources

L’ethnoscénologie. Vers une scénologie générale [PDF]

open access: yes, 2001
L’ethnoscénologie est une nouvelle ethnoscience (1995) fondée sur la nécessité de maîtriser toute forme d’ethnocentrisme dans l’étude des arts du spectacle vivant placés dans leur contexte historique, culturel
Pradier, Jean-Marie
core   +1 more source

Performance e experiência nas narrativas orais da fronteira entre Argentina, Brasil e Uruguai [PDF]

open access: yes, 2005
Na fronteira entre Argentina, Brasil e Uruguai as narrativas orais transgridem limites políticos e, ao circularem entre as vizinhas regiões, vão revelando identidades, tradições, sentimentos.
Hartmann, Luciana
core   +4 more sources

Bananes et mystère: Interview by Julia Varley [PDF]

open access: yes, 2022
Julia Varley interviews Jean-Marie Pradier about the circumstances of his meeting with Eugenio Barba in 1975 in Holstebro. At the time he was based in Montevideo, Uruguay, where he had founded an experimental theatre group; Pradier was immediately ...
Pradier, Jean-Marie
core   +1 more source

« Le Diable » de Rita Renoir (1972). Ethnoscénologie d’un mimodrame porno‐sataniste [PDF]

open access: yes, 2021
Le Diable (The Devil) was staged by Rita Renoir at the Théâtre de Plaisance in Paris in 1972. It is a mime drama devoid of text and music; her body only is present, her breathing, screaming, the forbidden aspects of life and its violence.
Philippe-Meden, Pierre
core   +1 more source

Tēvāram:Worshipping Gods on Stage [PDF]

open access: yes, 2022
Building on the idea of “ritual quotation,” this article offers a new perspective on rituals enacted within contemporary theatrical performances in South India.
Mucciarelli, Elena
core   +2 more sources

Pour une scénologie générale [Jérôme Dubois] [PDF]

open access: yes, 2012
À partir des considérations historiques etepistémologiques autor de la question du corps au sein dessciences de l'homme, l'auteur revient à la proposition faite parJean-Marie Pradier d'une « scénologie générale » commeconvergence théorique à l'horizon de
Repertório, Teatro & Dança periódico
core   +2 more sources

Reading for the "Flying house": Barba's early research towards theatre anthropology [PDF]

open access: yes, 2021
The article examines some of Eugenio Barba’s study material now preserved in the Fonds Barba at Odin Teatret Archives (ISTA Series, b. 1). Barba’s readings preceding the first edition of the ISTA in Bonn in 1980 trace the development of interests ...
Mancini, Leonardo
core   +1 more source

L’ANTHROPOLOGIE D’ALBERT PIETTE: APPROCHE DE L’INFIME SPECTACULARITE HUMAINE [Jérôme Dubois] [PDF]

open access: yes, 2010
Albert Piette gagne à être connu. Il est un anthropologue qui propose une méthode originale, à l’encontre des grandes théories de sa discipline, puisque, contrairement aux théories macroscopiques, il se fait phénoménologiquement le chantre des moindres ...
Repertório, Teatro & Dança
core   +2 more sources

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