Decoding the bare necessities of decapod crustacean nomenclature through the ages. [PDF]
De Grave S, Cole E, van der Meij SET.
europepmc +1 more source
ABSTRACT This study investigated the influence of learner‐ and word‐related variables on L2 vocabulary learning through the word part technique (WPT), a morphological mnemonic designed to strengthen form–meaning associations through knowledge of affixes and stems.
Gaia Oikawa +2 more
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Correction: Xiphovelopsis, a new South American genus of Microveliinae (Hemiptera, Heteroptera, Gerridae), with the description of a new species. [PDF]
Floriano CFB +2 more
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Early nomads of the Eastern Steppe and their tentative connections in the West. [PDF]
Savelyev A, Jeong C.
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Coraliomargarita parva sp. nov., isolated from mangrove sediment and genome-based analysis of the class Opitutae revealed five novel families: Coraliomargaritaceae fam. nov., Pelagicoccaceae fam. nov., Cerasicoccaeae fam. nov., Oceanipulchritudinaceae fam. nov., and Alterococcaeae fam. nov. [PDF]
Min L, Wang W, Oren A, Lai Q, Huang Z.
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Abstract This article considers John Betz's book Christ, the Logos of Creation as an exercise in the relation of doctrines within Christian systematic theology.
Andrew Davison
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Book Symposium on Gregory of Nyssa's On the Human Image of God: An Appreciation of Responses
Abstract In response to the review essays by Rowan Williams, Morwenna Ludlow, Gabrielle Thomas, Paul Blowers and Martin Laird, this essay by John Behr addresses questions raised about translation methods and the complexities of understanding Gregory's rhetorical style as integral to his mode of writing theology.
John Behr
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On the grammar of restricted-range numeral systems. [PDF]
Bowern C.
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This music score was submitted for the Kaleidoscope 2020 Call for Scores, an open access collaboration with the UCLA Music Library.
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Abstract This article puts forward a new methodology in artistic education. It is based on scientific utopia as it aims for the implementation in schools of the cátedras de la Boniteza (the Boniteza's Art Chair), where an inhabiting artist changes the institution from within through the development of quality art projects.
José María Mesías‐Lema
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