Results 31 to 40 of about 369 (166)

Incompreensibilidade e Esperança

Revista Brasileira de Estudos da Presença, 2012
Este texto foi escrito pelo diretor italiano, radicado na Dinamarca, Eugenio Barba, como apresentação do mais recente espetáculo do seu grupo de teatro, o Odin Teatret. Discute-se a função do espetáculo teatral e o problema da comunicação e decodificação
Eugenio Barba
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Dramaturgias articuladas em Eugenio Barba: ator, encenador e espectador

Sinais de Cena, 2022
Durante todo o século XX, houve um intenso debate sobre a função do texto no evento teatral. Uma das consequências desse debate foi que, na passagem para o século XXI, a ideia de que a palavra dramaturgia não seria mais exclusivamente aplicada à escrita
Manoel Prazeres
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Cutting the sap: First molecular phylogeny of twig‐girdler longhorn beetles (Coleoptera: Cerambycidae: Lamiinae: Onciderini) suggests shifts in host plant attack behaviours contributed to morphological evolution

Systematic Entomology, Volume 50, Issue 2, Page 369-386, April 2025.
Onciderines originated c. 56 Ma, in the Palaeocene‐Eocene boundary, and consist of two major monophyletic lineages, here established as subtribes Hypsiomatina and Onciderina. A novel, female‐specific mechanism of attacking host plants known as girdling evolved independently and irreversibly at least five times in the onciderines.
Diego de S. Souza, Rowan L. K. French, José O. Silva Júnior, Eugenio H. Nearns, Luciane Marinoni, Ian P. Swift, Kelly B. Miller, Felix A. H. Sperling, Marcela L. Monné   +8 more
wiley   +1 more source

Thank You to Our 2024 Reviewers

Geophysical Research Letters, Volume 52, Issue 4, 28 February 2025.
Abstract On behalf of the journal, AGU, and the scientific community, the editors of Geophysical Research Letters would like to sincerely thank those who reviewed manuscripts in 2024. The hours reading and commenting on manuscripts not only improve the manuscripts but also increase the scientific rigor of future research in the field.
Kris Karnauskas, Anantha Aiyyer, Suzana Camargo, Fabio Capitanio, Sarah Feakins, Robinson Fulweiler, Neil Ganju, Alessandra Giannini, Yu Gu, Christian Huber, Valeriy Ivanov, Monika Korte, Sujay Kumar, Kevin Lewis, Gudrun Magnusdottir, Mathieu Morlighem, Yuichi Otsuka, Germán A. Prieto, Bo Qiu, Lynn Russell, Kanako Seki, Hui Su, Daoyuan Sun, Hari Viswanathan, Guiling Wang, Kaicun Wang, Angelicque E. White, Quentin Williams, Lei Zhang   +28 more
wiley   +1 more source

The idea of Burning the House by Eugenio Barba

Załącznik Kulturoznawczy, 2019
Burning the House is the title of Barba’s book on directing and dramaturgy. This expression has a symbolic meaning, although this meaning doesn’t find an explicative description in Barba’s words. In the paper, we are attempting an explanation of the idea of Burning the House in relation with theatre while also exploring the use of various images of ...
openaire   +1 more source

Poster Sessions

HemaSphere, Volume 10, Issue S1, June 2026.
wiley   +2 more sources

Incomprehensibility and Hope

Revista Brasileira de Estudos da Presença, 2012
This text was written by the Italian director, based in Denmark, Eugenio Barba, as an introduction to the latest recent spectacle of his theatre company, Odin Teatret.
Eugenio Barba
doaj  

Publication Only

HemaSphere, Volume 10, Issue S1, June 2026.
wiley   +2 more sources

Culturalisme et Réappropriation Conceptuelle, l’Inévitable Paradoxe de l’ISTA

Revista Brasileira de Estudos da Presença, 2022
Il s’agit d’étudier le double mouvement propre à l’ISTA et aux institutions culturelles européennes qui, dans les années 1970, ont fait connaître les arts de la scène asiatiques : exporter un produit culturel « inaltéré » puis l’enseigner selon d’autres
Raphaëlle Doyon
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Combustível do trabalho do ator: as dúvidas

DAPesquisa, 2019
O presente texto procura refletir sobre os conceitos deixados ao ator atual, herança de pesquisas do século XX imortalizadas pelos encenadores russos Constatin Stanislavski (1863-1939), Vsévolod Meyerhold (1874-1940) e de certa forma continuadas e ...
Andréia Paris, Milton de Andrade
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