Results 1 to 10 of about 130 (113)
Che ci sia un filo rosso a legare, nel catalogo Einaudi, il nome di Montale a quello di Gianfranco Contini e che il poeta sia entrato e – dopo molte peripezie – rimasto nel catalogo dell’editore torinese grazie a Contini non è certo affermazione foriera
Maria Villano
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Imitare l’‘inimitabile’: nuovi appunti sulle parodie dannunziane
The parodic attention to d’Annunzio’s poetry and prose has been timely, rich and of various kinds. Following a chronological path, the essay examines the most significant texts in this field, with particular attention paid both to the most successful ...
Lavezzi, Gianfranca
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This essay puts forth a definition of poetry rooted in experience. In following Eugenio Montale, it analyzes two of his poems – “I limoni” and “Notizie dall’Amiata” – to show how the poet, rather than constructing discrete poetic worlds, aims at a ...
Jan Söffner
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Le contraddizioni del poeta modernista: due studi sul primo Montale
Recensione di-Massimiliano Tortora, Vivere la propria contraddizione. Immanenza e trascendenza in Ossi di sepia di Eugenio Montale, Pisa, Pacini, 2015.-Giuseppe Gazzola, Montale, The Modernist, Firenze, Olschki, 2016.
Ronald de Rooy
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Cornudella, Jordi (ed.) (1995). «Eugenio MONTALE, Xènia»
Cornudella, Jordi (ed.) (1995). «Eugenio MONTALE, Xènia»
Eduard Vilella
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Montale, Eugenio (2005). «Las ocasiones»
Montale, Eugenio (2005).
Elitza Popova
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The article focuses on three Italian Novecento poetical voices of Lucio Piccolo, Eugenio Montale and Maria Luisa Spaziani and presents their experience of writing which gesture originates from listening to each other’s voices and from the constant weave ...
Paulina Malicka
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Ernesto Livorni’s T.S. Eliot, Eugenio Montale e la modernità dantesca (Florence 2020) is a detailed and informative comparative study on T.S. Eliot’s and Eugenio Montale’s poetry and poetics, on their most representative texts (poetry and literary ...
Stefano Maria Casella
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Temi e lemmi montaliani nel “Conte di Kevenhüller” di Giorgio Caproni [PDF]
Giorgio Caproni’s "Il Conte di Kevenhüller" (1986) is replete with allusions and references to Eugenio Montale’s poems: not only does Caproni quote Montale, but he also takes from him the sense of a negative God and of the complexity of the subject.
Alberto Fraccacreta
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