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Quaderns d'Italià, 1997 Some of the next articles are maybe not open access.
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2023
«Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporality and philosophical treatments of mourning to shift the understanding of Montale’s verse, contesting the division between an early lyrical phase and a later ironic phase.
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«Deeply versed in recent theoretical discussions of the lyric form in general and the elegy in particular, Adele Bardazzi also brings to bear queer thinking on temporality and philosophical treatments of mourning to shift the understanding of Montale’s verse, contesting the division between an early lyrical phase and a later ironic phase.
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2021
Abstract Montale, in the 1930s, was between wars but also between women. His ‘hermetic’ style shimmers between suggested meanings or implications. ‘Boats on the Marne’ sounds like a pleasure-outing, a Sunday sail or row, and begins with ‘happiness’ but ends with ‘floating’ (like a corpse?); begins with an upside-down sun, and ends among ...
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Abstract Montale, in the 1930s, was between wars but also between women. His ‘hermetic’ style shimmers between suggested meanings or implications. ‘Boats on the Marne’ sounds like a pleasure-outing, a Sunday sail or row, and begins with ‘happiness’ but ends with ‘floating’ (like a corpse?); begins with an upside-down sun, and ends among ...
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2012
Il capitolo presenta la figura e l'opera in versi e in prosa di Eugenio Montale, con una antologia di testi ampiamenti commentati.
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Il capitolo presenta la figura e l'opera in versi e in prosa di Eugenio Montale, con una antologia di testi ampiamenti commentati.
openaire +1 more source