Results 51 to 60 of about 82 (79)

Parshall, Peter, and Rainer Schoch, eds. Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public. New Haven: Yale University Press, 2005. Pp. 372 (9½ x 12 inches). 150 ill. in color; 20 b/w. (DuBruck)

2009
exaly   +2 more sources

The Digital Technology Integration in Fine Arts: A Qualitative Study of Printmaking Practice in the Indian Art Education Scenario

Smart Innovation, Systems and Technologies, 2023
Bhowmik Ritwij
exaly  

:Origins of European Printmaking: Fifteenth-Century Woodcuts and Their Public

The Sixteenth Century Journal, 2007
openaire   +1 more source

: Origins of European Printmaking — Fifteenth-Century Woodcuts and Their Public

Renaissance Quarterly, 2006
openaire   +1 more source

Contemplating Framing: Unpacking the Possibilities of Printmaking in Narrative Inquiry

International Review of Qualitative Research, 2022
Michelle Lavoie, Vera Caine
exaly  

The Print before Photography: An Introduction to European Printmaking 1550–1820, by Antony Griffiths

The English Historical Review, 2018
openaire   +1 more source

A digital distraction? The role of digital tools and distributed intelligence in woodblock printmaking practice

Digital Creativity, 2021
Tara Chittenden
exaly  

Origins of European printmaking: fifteenth-century woodcuts and their public

Choice Reviews Online, 2006
openaire   +1 more source

Printmaking and Cultural Imagination in Contemporary Nigerian Art

Critical Arts, 2021
Eyitayo Tolulope Ijisakin
exaly