Results 101 to 110 of about 323 (157)
Наука телевидения, 2016 The article discusses not only the phenomenon of Conchita Wurst, but also the backstory of the demonic tendencies in modern culture, and there being traced a number of performances of «Eurovision» of the late 1990s and 2000s. Scenic character of Conchita
POPOVA L.V. / ПОПОВА Л.В.
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Kultúra, ismeretterjesztés, közszolgálatiság
Symbolon, 2020 Culture, Dissemination, Public Service Experience shows that public service media show slight aversion towards programs the presentation of which should normally be their duty: for example, towards presenting cultural events.
Anna Kós
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, 2017 Las redes sociales han transformado el modo en que seguimos los contenidos televisivos. De esta manera, asistimos a la expansión de la televisión social y al aumento del consumo de doble pantalla.
Márquez Martínez, Lucía
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, 2020 The Eurovision Song Contest is gaining ground as a subject of academic research because of the identity aspects (such as ethnic, national and gender questions) it showcases as a transcultural phenomenon.
Panea Fernández, José Luis
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, 2019 Curs 2018-2019El siguiente Trabajo Final de Máster se centra en la propuesta de traducción inglés – español de los veinte primeros capítulos del libro The “Eurovision Song Contest”: The Official History, escrito por John Kennedy O’Connor.
Ruiz García, Ana
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Building an intelligent system for answering specialized questions about COVID-19. [PDF]
Procedia Comput Sci, 2023 Dobreva B, Nisheva-Pavlova M.
europepmc +1 more source
Rethinking Eurovision Song Contest as a Clash of Cultures
Gazi Akademik Bakış, 2015 Modern era’s understanding of culture overlooked culture, as a social and cultural analysis category as well as a way of life. This point of view has lost its validity and culture gained significance as an area where rulership and power struggle exists ...
Zeynep Merve ŞIVGIN
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Lasse Jensen, EUROVISION. [PDF]
, 2019 La travesía informativa desarrollada por Eurovisión constituye un factor muy nutriente para las aspiraciones comunicacionales de nuestro ...
Chasqui
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National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe
Contemporary Southeastern Europe, 2015 The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of
Neven Andjelić
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L’Eurovision et les frontières culturelles de l’Europe
Cybergeo, 2007 The Eurovision song contest pretends to be the oldest demonstration of european cultural unity, celebrating in 2005 its 50 years. Far from being only a kitsch show, the european song contest ask a certain amount of questions about the cultural frontiers ...
Fabien Venon
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