Results 131 to 140 of about 1,241 (152)

Breaking the Code: Multi-level Learning in the Eurovision Song Contest

arXiv.org
Organizations learn from the market, political, and societal responses to their actions. While in some cases both the actions and responses take place in an open manner, in many others, some aspects may be hidden from external observers.
L. A. Amaral, Arthur Capozzi, Dirk Helbing   +2 more
semanticscholar   +1 more source

Integrated popular reporting as a dialogic tool for measuring value creation or destruction through social impact assessment: The Eurovision Song Contest

Corporate Governance and Organizational Behavior Review
Nowadays, accounting has evolved to incorporate diverse perspectives in reporting, fostering democracy and sustainability (Brown & Dillard, 2015a, 2015b; Sorola, 2022).
Silvana Secinaro, Ginevra Degregori, V. Brescia, P. Biancone   +3 more
semanticscholar   +1 more source

Militarization and popular culture in the shadow of war: the 2022 Eurovision Song Contest

International Affairs
What is the political role of cultural mega-events in the context of ongoing war? The article examines the interaction between cultural mega-events and militarization processes in the shadow of war.
Inbar Noy, Meital Viner-Serdtse, Galia Press-Barnathan   +2 more
semanticscholar   +1 more source

The use of non-official data source for the analysis of public events: evidences from the Eurovision Song Contest 2022

6th International Conference on Advanced Research Methods and Analytics - CARMA 2024
The use of non-official data sources as Twitter has been implemented for the monitoring of social and public events in many different fields during last years.
Andrea Marletta, Alessia Forciniti, Magda Moretti   +2 more
semanticscholar   +1 more source

Grey people in an ordinary world: Navigating the politics of migration at the Eurovision Song Contest

European Journal of Cultural Studies
The Eurovision Song Contest positions itself as a nonpolitical cultural event that unites Europe in song. However, politics and the representation of politicised issues permeate the song contest through a focus on values-based politics rather than state ...
Jessica Carniel
semanticscholar   +1 more source

IMAGOLOGICAL ANALYSIS OF THE PROMOTION OF NATIONAL IMAGES (RUSSIA «EUROVISION» 2008)

Dynamics of Media Systems
The article is devoted to an imagological analysis of Russia’s performance at the Eurovision Song Contest 2008, demonstrating how music, visual effects, costumes and other elements shaped the national image of the country on the international stage ...
A. I. Kobyakova
semanticscholar   +1 more source

Eurovision and Social Networks

Communication Management Review
This study aims to analyze how Eurovision, as a major spectacle, is presented on social media through content analysis and a survey questionnaire.
Filip Mustapić, Krešmir Dabo
semanticscholar   +1 more source

A Romani woman in Eurovision: ethnic and gender stereotypes in the reception of Remedios Amaya (1983)

Journal of Spanish Cultural Studies
Remedios Amaya was the first Roma woman to represent Spain at the Eurovision Song Contest. Chosen because of her ethnicity, Amaya’s Romani heritage was meant to commemorate the Samudaripen/Porajmos (Romani Holocaust) in the year Munich hosted Eurovision (
Lidia Merás
semanticscholar   +1 more source

Culturalist and neo-propagandist politics at Eurovision: A triptych analysis of cultural diplomacy approaches of the European Broadcasting Union vis-à-vis Belarus, Russia and Israel

European Journal of Cultural Studies
The Eurovision Song Contest is a self-proclaimed non-political musical competition that is nonetheless the site of politics and diplomacy. This article presents a three-part case study – or a triptych picture – of the controversies surrounding the ...
M. Kosciejew
semanticscholar   +1 more source

Eurovision through an intercultural lens: Navigating Eurocentric cultural bias in visual profiling of Azerbaijan and Sweden

Global Media and Communication
This study examines the Eurovision Song Contest (ESC) media coverage of Azerbaijan and Sweden to consider possible Eurocentric bias in international communication. Using Media Influences Theory and textual analysis, it analyzes visual symbology and notes
Rashad Mammadov
semanticscholar   +1 more source