Results 21 to 30 of about 1,241 (152)

State of the Field: The History of Masculinities

open access: yesHistory, Volume 111, Issue 394, Page 5-29, January 2026.
Abstract This State of the Field article discusses how, when and why the history of masculinities has emerged since the 1980s, and why it continues to be an important research field today. The article begins with the field's multiple origin stories and then discusses its expansion in chronology, geography and theme, as well as newer directions for ...
ERICA L. FRASER
wiley   +1 more source

The Colonial Imaginary of ‘Europe’ in the EU's Asymmetrical Response to the Russian and Israeli Aggressions: Ukraine as a Member of the ‘Family’ Whilst ‘Othering’ Palestine

open access: yesJCMS: Journal of Common Market Studies, Volume 63, Issue 6, Page 1685-1709, November 2025.
Abstract What is ‘Europe’? The response to this question is not straightforward, as ‘Europe’ is a floating signifier that is in constant renegotiation. In this article, we focus on the imaginary of ‘Europe’ that has been deployed in the most salient international crises of the last years that have heavily shaken European Union (EU) politics: the ...
Alvaro Oleart, Juan Roch
wiley   +1 more source

“Much More than a Song Contest”: Exploring Eurovision 2014 as Potlatch

open access: yesValuation Studies, 2015
As economic and budgetary scandals reached Danish front pages in 2014 over the Eurovision Song Contest (ESC) held that year in Copenhagen, many bystanders questioned the sense of the event, proclaiming it a massive waste of public money. In this article,
Morten Krogh Petersen, Carina Ren
doaj   +1 more source

Audiovisual narratives of the Sami people at the beginnings of the Eurovision Song Contest (1960–1980)

open access: yesCogent Arts & Humanities
Held annually since 1956 and attracting the continuing participation of most European countries, the Eurovision Song Contest (ESC) is usually defined as the audiovisual counterpart to the contemporary history of the continent.
José Luis Panea
semanticscholar   +1 more source

“SloMo” de Chanel (Eurovisión Song Contest 2022): realización de televisión en directo de espectáculos

open access: yesRazón y Palabra, 2023
Eurovision Song Contest es un concurso musical retransmitido por televisión en el que participan los países miembros de la Unión Europea de Radiodifusión (UER).
J. Pérez-Rufí   +2 more
semanticscholar   +1 more source

Grand Prix Eurovision: Eine Fankultur im Medienzeitalter

open access: yesMedienPädagogik: Zeitschrift für Theorie und Praxis der Medienbildung, 2017
Der Grand Prix Eurovision ist seit Jahrzehnten eine der bekanntesten Unterhaltungssendungen im europäischen Raum. Dennoch erregte es Verwunderung, wenn der Schreibende Bekannten darüber berichtete, daß dies ein Forschungsgegenstand sei.
Heinz Moser
doaj   +1 more source

Reframing Gender‐Inclusive Language in German Education: Politics, Pedagogy, and Possibilities

open access: yesDie Unterrichtspraxis/Teaching German, Volume 58, Issue 2, Page 175-185, Fall 2025.
ABSTRACT Recently in Germany the question of gender‐inclusive language has become another front in the culture wars. Headlines portray these linguistic innovations as disruptive and unnecessary while politicians across Germany have moved to ban or restrict certain types of inclusive language.
Maureen O. Gallagher
wiley   +1 more source

Geopolitics in the ESC: Comparing Russia’s and Ukraine’s use of cultural diplomacy in the Eurovision Song Contest

open access: yesNew perspectives, 2023
The Eurovision Song Contest has long served as a platform for cultural diplomacy among its participants. This paper examines how Russia and Ukraine have approached cultural diplomacy in and around the Eurovision Song Contest in the wake of the Russo ...
Lea M Welslau, Torsten J Selck
semanticscholar   +1 more source

Sustainable Tourism and SDGs in the South Caucasus

open access: yesSustainable Development, Volume 33, Issue 4, Page 4867-4883, August 2025.
ABSTRACT This study examines sustainable tourism practices in the South Caucasus region (Armenia, Azerbaijan, and Georgia) through the lens of the United Nations Sustainable Development Goals (SDGs). A scoping literature review was conducted, analyzing academic papers from Scopus and Web of Science databases. Content analysis and expert validation were
Flavio Martins   +5 more
wiley   +1 more source

“Be Creative, Be Friends and Share Cultural Experiences”: Genre, Politics, and Fun at the Junior Eurovision Song Contest

open access: yesInternational Political Sociology, 2023
This article examines children’s political agency in the context of the Junior Eurovision Song Contest. The Eurovision Song Contest is widely recognized as a political arena—a space for nation branding and soft diplomacy, narratives of European musical
Zoë Jay
semanticscholar   +1 more source

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