Results 21 to 30 of about 323 (157)

A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad’s Representation of Israel at Eurovision 2009

open access: yesCurrent Musicology, 2010
Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
doaj   +1 more source

Análisis de la realización de espectáculos televisivos en directo: Italia en Eurovisión 2021

open access: yes, 2022
Este trabajo tiene por objeto de estudio la realización de televisión en directo del Festival de Eurovisión, concurso caracterizado por la aplicación de tecnologías y de puestas en escena vanguardistas y experimentales. Se toma como estudio de caso la
Gómez-Pérez, Francisco Javier   +1 more
core   +2 more sources

Colours of the new face of Serbia: National symbols and popular music [PDF]

open access: yesGlasnik Etnografskog Instituta SANU, 2009
In this paper I address nationalist iconography in Serbian popular music especially the role of women as the symbols of nation building. Case in point is the victory of Serbian representative Marija Serifovic in Eurovision Song Contest in 2007. I analyze
Mitrović Marijana
doaj   +1 more source

The Sixth Scroll: The Ritualization of Israel's Declaration of Independence

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This article examines the ritualization of Israel's Declaration of Independence (2011–2025) as part of broader efforts by Israeli Jewish renewal organizations to craft a national counter‐narrative. It argues that reframing the Declaration as a quasi‐sacred text—situated within the Jewish traditional corpus and recited with Biblical ...
Adi Sherzer
wiley   +1 more source

The Discursive Construction of Finnish Nationality on Twitch Esports Chat

open access: yesNations and Nationalism, EarlyView.
ABSTRACT This study explores how esports audiences discursively construct Finnish nationality when spectating games of Counter‐Strike: Global Offensive during a major international tournament. The largest esports tournament broadcasts can attract tens or hundreds of thousands of viewers, who participate in the public debate surrounding the matches.
Marko Siitonen   +4 more
wiley   +1 more source

Construyendo Europa a través del entretenimiento : El festival de Eurovisión

open access: yes, 2021
El festival de Eurovisión es el concurso musical más longevo de la historia de la televisión. Ininterrumpidamente desde 1956 se ha convertido en una ventana para las modas y las tradiciones de los diferentes países que participan y es, a día de hoy, un ...
Universitat Autònoma de Barcelona. Facultat de Ciències de la Comunicació   +1 more
core  

Cómo se organiza el festival de Eurovisión en los diferentes países europeos de la última década [PDF]

open access: yes, 2022
Este trabajo de fin de grado muestra un análisis detallado de lo que ha sido el festival de Eurovisión en la segunda década del siglo XXI; para ello hemos estudiado con detenimiento todas las canciones ganadoras de cada edición, y la razón por la cual ...
Herrero Viñas, Enar
core  

State of the Field: The History of Masculinities

open access: yesHistory, Volume 111, Issue 394, Page 5-29, January 2026.
Abstract This State of the Field article discusses how, when and why the history of masculinities has emerged since the 1980s, and why it continues to be an important research field today. The article begins with the field's multiple origin stories and then discusses its expansion in chronology, geography and theme, as well as newer directions for ...
ERICA L. FRASER
wiley   +1 more source

La identidad trans: el caso de Dana International en el Festival de Eurovisión

open access: yes, 2022
El trabajo está dividido en dos partes conectadas entre sí. La primera parte es una introducción general de lo que se conoce como Teoría Queer. En la segunda parte del trabajo pongo en contexto y explico la historia, brevemente, del Festival de la ...
Cerrillo, Carla
core  

My heart has no colour: Lusotropicalism and Black Lusophone representation in the Eurovision Song Contest 1994 – 1996.

open access: yesTijdschrift voor Mediageschiedenis
The Eurovision Song Contest states that ‘a rich history of promoting diversity [and] inclusivity’ is amongst its core values. Furthermore, the contest claims to able to ‘bridge differences and ignite a sense of shared community.’ Despite this, Catherine ...
Greg Cotton
doaj   +1 more source

Home - About - Disclaimer - Privacy