Results 71 to 80 of about 1,241 (152)

Panorama de les fonts audiovisuals internacionals en televisió : contingut, gestió i drets

open access: yesBiD: Textos Universitaris de Biblioteconomia i Documentació, 2014
Les cadenes generalistes espanyoles (nacionals i autonòmiques) disposen de diferents fonts audiovisuals per informar dels temes internacionals, com ara agències, consorcis de notícies i corresponsalies.
López de Solís, Iris   +2 more
doaj   +1 more source

Self-reported visual difficulties in Europe and related factors: a European population-based cross-sectional survey. [PDF]

open access: yesActa Ophthalmol, 2021
Leveziel N   +10 more
europepmc   +1 more source

Représenter l’Europe dans un divertissement télévisuel. Entre marque et programme : la mise en scène des frontières au Concours eurovision de la chanson 2023

open access: yesDe Europa
Le concours Eurovision de la chanson est organisé annuellement par l’Union européenne de radiodiffusion (UER). L’article vise à analyser les variations apportées au dispositif scénique dans le contexte particulier de l’édition 2023, organisée par la BBC
Johan Boittiaux
doaj   +1 more source

An Evaluation of the Boys Do Cry Suicide Prevention Media Campaign on Twitter: Mixed Methods Approach. [PDF]

open access: yesJMIR Form Res, 2023
Scotti Requena S   +7 more
europepmc   +1 more source

Research using hashtags: A meta-synthesis. [PDF]

open access: yesFront Sociol, 2022
La Rocca G, Boccia Artieri G.
europepmc   +1 more source

MASHUP COMPILATION AND MASHUP OF SCREENING AS BRAINSTORM OF CLASSIC NOVELS / КОНЧИТА ВУРСТ, ИЛИ «ЗАКАТ ЕВРОПЫ»

open access: yesНаука телевидения, 2016
The article discusses not only the phenomenon of Conchita Wurst, but also the backstory of the demonic tendencies in modern culture, and there being traced a number of performances of «Eurovision» of the late 1990s and 2000s. Scenic character of Conchita
POPOVA L.V. / ПОПОВА Л.В.
doaj  

Kultúra, ismeretterjesztés, közszolgálatiság

open access: yesSymbolon, 2020
Culture, Dissemination, Public Service Experience shows that public service media show slight aversion towards programs the presentation of which should normally be their duty: for example, towards presenting cultural events.
Anna Kós
doaj  

Rethinking Eurovision Song Contest as a Clash of Cultures

open access: yesGazi Akademik Bakış, 2015
Modern era’s understanding of culture overlooked culture, as a social and cultural analysis category as well as a way of life. This point of view has lost its validity and culture gained significance as an area where rulership and power struggle exists ...
Zeynep Merve ŞIVGIN
doaj  

National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe

open access: yesContemporary Southeastern Europe, 2015
The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of
Neven Andjelić
doaj  

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