Results 101 to 110 of about 1,434 (218)

La evolución del arte escenográfico en el Festival de Eurovisión

open access: yesArte y Sociedad
Desde su inicio en 1956, el Festival de Eurovisión ha evolucionado de escenarios minimalistas a experiencias híbridas y tecnológicas, integrando luz, espacio y multimedia.
Noelia Dorado Campayo
doaj   +1 more source

Can Fans Be Public Diplomats? Participatory Diplomacy at the Eurovision Song Contest

open access: yes
Using the portmanteau concept of participatory diplomacy (Carniel, 2024), this article explores how Eurovision fans understand and experience the politics of the song contest, and how they see the song contest as a site for enacting their diplomatic ...
Carniel, Jessica
core  

Beyond Reykjavík 101: Iceland’s popular music mainstream and the Eurovision song contest

open access: yes, 2019
‘Everything changes in Iceland when Eurovision is on, and you don’t understand it but that’s the way it is’ (music documentary producer, 2010). Taking the above comment as a starting point, this chapter explores the place of the Eurovision Song Contest ...
Baker, Sarah
core  

Lessons Learned: Teaching European Studies in full Eurovision

open access: yes, 2019
The Eurovision Song Contest (ESC) has by now become well established as a subfield of academic enquiry in a rapidly expanding array of disciplines, ranging from international relations, history, media and communication studies, cultural studies, gender ...
Alison Lewis   +3 more
core   +1 more source

Rethinking Eurovision Song Contest as a Clash of Cultures

open access: yesGazi Akademik Bakış, 2015
Modern era’s understanding of culture overlooked culture, as a social and cultural analysis category as well as a way of life. This point of view has lost its validity and culture gained significance as an area where rulership and power struggle exists ...
Zeynep Merve ŞIVGIN
doaj  

National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe

open access: yesContemporary Southeastern Europe, 2015
The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of
Neven Andjelić
doaj  

L’Eurovision et les frontières culturelles de l’Europe

open access: yesCybergeo, 2007
The Eurovision song contest pretends to be the oldest demonstration of european cultural unity, celebrating in 2005 its 50 years. Far from being only a kitsch show, the european song contest ask a certain amount of questions about the cultural frontiers ...
Fabien Venon
doaj  

Eurovision -- An Image-Based CLIR System

open access: yes, 2002
This short position paper outlines the aims of the Eurovision project, which will explore cross language retrieval of images via their text captions. We propose that CLEF, as a part of its future works, examine retrieval of multimedia data. By describing
Mark Sanderson, Paul Clough
core  

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