Results 11 to 20 of about 7,381 (200)
Economic and political dependencies in cultural voting: A gravity model analysis of Eurovision [PDF]
Romanian Journal of Regional ScienceThis paper examines the factors shaping voting behaviour in the Eurovision Song Contest (ESC) by applying a gravity model to bilateral voting data from Grand Finals between 1995 and 2019.
Alina M. Schoenberg +3 more
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The Eurovision St Andrews collection of photographs [PDF]
, 2006 This report describes the Eurovision image collection compiled for the ImageCLEF (Cross Language Evaluation Forum) evaluation exercise. The image collection consists of around 30,000 photographs from the collection provided by the University of St ...
Clough P. +6 more
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Cultural Voting: The Eurovision Song Contest [PDF]
SSRN Electronic Journal, 2005 We analyze the voting behavior and ratings of judges in a popular song contest held every year in Europe. The dataset makes it possible to analyze the determinants of success, and gives a rare opportunity to run a direct test of vote trading, or logrolling.
Ginsburgh, Victor, Noury, Abdul Ghafar
openaire +3 more sources
Spain Was Not Living a Celebration
VIEW Journal of European Television History and Culture, 2012 Franco’s Dictatorship (1939-1975) used Spanish Television (TVE) as a key element in the political propaganda of its apparent ‘openness’ during the 1960s. The propaganda co-existed with political interest in
Gutiérrez Lozano, Juan Francisco
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Evidence of bias in the Eurovision song contest: modelling the votes using Bayesian hierarchical models [PDF]
, 2013 The Eurovision Song Contest is an annual musical competition held among active members of the European Broadcasting Union since 1956. The event is televised live across Europe.
Baio, Gianluca, Blangiardo, Marta
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Do songs in English do better? Studying linguistic diversity within Eurovision Song Contest entries
DiacríticaLanguages at Eurovision have long been a source of debate. The frequent use of English as the primary singing language has raised questions about whether performing in English rather than a national language improves a song’s chances of winning. Studies
Francisco Javier Palacios-Hidalgo +1 more
doaj +5 more sources
Colours of the new face of Serbia: National symbols and popular music [PDF]
Glasnik Etnografskog Instituta SANU, 2009 In this paper I address nationalist iconography in Serbian popular music especially the role of women as the symbols of nation building. Case in point is the victory of Serbian representative Marija Serifovic in Eurovision Song Contest in 2007. I analyze
Mitrović Marijana
doaj +1 more source
Annales, Series Historia et SociologiaSerbian cultural diplomacy at the Eurovision Song Contest includes both the presentation of elements of the Serbian musical idiom and the effective use of dominant trends in European popular music.
Marko Aleksić
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Eurovision and the City: “United by Music” Meets “Malmö against Genocide”
Urban Planning“United by Music” was the slogan of the 2024 edition of the Eurovision Song Contest, held in Malmö. However, the festive spirit of the event oddly contrasted with what was described as “the largest police operation in Sweden’s history” (Ivarsson, 2024 ...
Myrto Dagkouli-Kyriakoglou +5 more
doaj +1 more source
Current Musicology, 2010 Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
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