Results 11 to 20 of about 1,434 (218)

EUROVISION

open access: yesIndústrias Culturais, 2009
Nos dias 29 a 31 de Janeiro e 5 a 7 de Fevereiro, o Teatro Praga (Lisboa) leva à cena a peça Eurovision na Fábrica da Rua da Alegria (Porto). A obra reflecte a Europa das línguas e culturas nacionais e o festival internacional de televisão que leva ...
Rogério Santos
core   +4 more sources

Spijkervet/eurovision-dataset: 2023

open access: yes, 2023
<p>Eurovision Song Contest voting and contestant data from 1956 - 2023. Also includes Eurovision odds data from 2015 - 2023 in <code>betting_offices.csv</code></p> <p>Also includes scraper changes due to website updates.</
Janne
core   +1 more source

Spijkervet/eurovision-dataset: 2020.0

open access: yes, 2020
The Eurovision Song Contest Dataset is a freely-available dataset containing audio features, metadata, contest ranking and voting data of 1562 songs that have competed in the Eurovision Song Contests between 1956 and ...
Janne
core   +1 more source

Armchair Researchers: Modes of Ethnographic Research for Understanding and Experiencing the Eurovision Song Contest

open access: yes, 2022
This chapter explores the various modes of “field” research utilised in Eurovision scholarship, from digital ethnography to on-site fieldwork. In particular, it interrogates the idea of what constitutes “on-site”, as well as the blurring of public ...
Hay, Chris, Carniel, Jessica
core   +1 more source

Spain Was Not Living a Celebration

open access: yesVIEW Journal of European Television History and Culture, 2012
Franco’s Dictatorship (1939-1975) used Spanish Television (TVE) as a key element in the political propaganda of its apparent ‘openness’ during the 1960s. The propaganda co-existed with political interest in
Gutiérrez Lozano, Juan Francisco
doaj   +1 more source

Eurovision 2023: Exploring Liverpool's multi-agency approach to a large-scale event [PDF]

open access: yes, 2023
In May 2023, Liverpool hosted the Eurovision Song Contest on behalf of Ukraine, involving 37 competing nations. With over 12,000 accredited staff involved in the planning and delivery of Eurovision, it is the largest and most complex multi-agency event ...
Swan-Keig, Lauren   +5 more
core  

Do songs in English do better? Studying linguistic diversity within Eurovision Song Contest entries

open access: yesDiacrítica
Languages at Eurovision have long been a source of debate. The frequent use of English as the primary singing language has raised questions about whether performing in English rather than a national language improves a song’s chances of winning. Studies
Francisco Javier Palacios-Hidalgo   +1 more
doaj   +5 more sources

»In corpore sano«

open access: yesAnnales, Series Historia et Sociologia
Serbian cultural diplomacy at the Eurovision Song Contest includes both the presentation of elements of the Serbian musical idiom and the effective use of dominant trends in European popular music.
Marko Aleksić
doaj   +1 more source

The Politics of Eurovision: A Case Study of the United Kingdom’s 2021 and 2022 Participations as Expressed on Social Media

open access: yesRevista de Lingüística y Lenguas Aplicadas
In recent years, the opinion that the Eurovision Song Contest has become highly politicised is prevalent in the media and the popular voice, although not much research exists that can attest to this claim.
María García-Gámez   +1 more
doaj   +1 more source

A Message for Peace or a Tool for Oppression? Israeli Jewish-Arab duo Achinoam Nini and Mira Awad’s Representation of Israel at Eurovision 2009

open access: yesCurrent Musicology, 2010
Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
doaj   +1 more source

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