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Nos dias 29 a 31 de Janeiro e 5 a 7 de Fevereiro, o Teatro Praga (Lisboa) leva à cena a peça Eurovision na Fábrica da Rua da Alegria (Porto). A obra reflecte a Europa das línguas e culturas nacionais e o festival internacional de televisão que leva ...
Rogério Santos
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Spijkervet/eurovision-dataset: 2023
<p>Eurovision Song Contest voting and contestant data from 1956 - 2023. Also includes Eurovision odds data from 2015 - 2023 in <code>betting_offices.csv</code></p> <p>Also includes scraper changes due to website updates.</
Janne
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Spijkervet/eurovision-dataset: 2020.0
The Eurovision Song Contest Dataset is a freely-available dataset containing audio features, metadata, contest ranking and voting data of 1562 songs that have competed in the Eurovision Song Contests between 1956 and ...
Janne
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This chapter explores the various modes of “field” research utilised in Eurovision scholarship, from digital ethnography to on-site fieldwork. In particular, it interrogates the idea of what constitutes “on-site”, as well as the blurring of public ...
Hay, Chris, Carniel, Jessica
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Spain Was Not Living a Celebration
Franco’s Dictatorship (1939-1975) used Spanish Television (TVE) as a key element in the political propaganda of its apparent ‘openness’ during the 1960s. The propaganda co-existed with political interest in
Gutiérrez Lozano, Juan Francisco
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Eurovision 2023: Exploring Liverpool's multi-agency approach to a large-scale event [PDF]
In May 2023, Liverpool hosted the Eurovision Song Contest on behalf of Ukraine, involving 37 competing nations. With over 12,000 accredited staff involved in the planning and delivery of Eurovision, it is the largest and most complex multi-agency event ...
Swan-Keig, Lauren +5 more
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Do songs in English do better? Studying linguistic diversity within Eurovision Song Contest entries
Languages at Eurovision have long been a source of debate. The frequent use of English as the primary singing language has raised questions about whether performing in English rather than a national language improves a song’s chances of winning. Studies
Francisco Javier Palacios-Hidalgo +1 more
doaj +5 more sources
Serbian cultural diplomacy at the Eurovision Song Contest includes both the presentation of elements of the Serbian musical idiom and the effective use of dominant trends in European popular music.
Marko Aleksić
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In recent years, the opinion that the Eurovision Song Contest has become highly politicised is prevalent in the media and the popular voice, although not much research exists that can attest to this claim.
María García-Gámez +1 more
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Israel’s contenders for the 2009 Eurovision Song Contest (known as the ESC or, as here, Eurovision) were the Israeli Jewish-Arab duo Achinoam Nini and Mira Awad.
Nili Belkind
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