Results 101 to 110 of about 4,142 (214)

National Promotion and Eurovision: from Besieged Sarajevo to the Floodlights of Europe

Contemporary Southeastern Europe, 2015
The Eurovision Song Contest, as an important part of the entertainment industry, has offered European countries a platform for national promotion. The original format has developed over 60 years and has come under scrutiny and criticism as allegations of
Neven Andjelić
doaj  

Grey People in an Ordinary World: navigating the politics of migration at the Eurovision Song Contest [PDF]

The Eurovision Song Contest positions itself as a nonpolitical cultural event that unites Europe in song. However, politics and the representation of politicised issues permeate the song contest through a focus on values based politics rather than state ...
Carniel, Jessica
core   +1 more source

Sentiment analysis for measuring hope and fear from Reddit posts during the 2022 Russo-Ukrainian conflict. [PDF]

Front Artif Intell, 2023
Guerra A, Karakuş O.
europepmc   +1 more source

Skirting the issue: finding queer and geopolitical belonging at the Eurovision Song Contest

Contemporary Southeastern Europe, 2015
This article examines how the ideological boundaries of East and West are built, maintained and challenged through the performance of sexual and other politics in the Eurovision Song Contest (ESC).
Jessica Carniel
doaj  

Der Einfluss von Fernsehübertragungen von Mega-Events auf die Wahrnehmung des Gastgeberlandes

Studies in Communication, Media, 2014
Die Medienberichterstattung hat einen wesentlichen Anteil daran, wie wir die Realität wahrnehmen (Adoni & Mane, 1984; Gerbner & Gross, 1976). Insbesondere, wenn wir nicht über persönliche Erfahrungen verfügen, wie beispielweise mit anderen Ländern und ...
Christiana Schallhorn
doaj   +1 more source

Queer to be kind: Exploring Western media discourses about the “Eastern bloc” during the 2007 and 2014 Eurovision Song Contests [PDF]

, 2015
This article examines the voting results and Western European media coverage of the 2007 and 2014 Eurovision Song Contests. The Austrian drag act Conchita Wurst (the alter ego of an openly gay man) won in 2014, whilst Serbian entrant Marija Šerifović ...
Sircar, I., Slootmaeckers, K., Ulbricht, A.   +2 more
core   +1 more source

Eastern Borderlands as Europe-Makers: (How) Can neighbours redefine the EU? [PDF]

, 2017
A general and strategic effect of EU’s Association Agreements and DCFTAs with Georgia, Moldova and Ukraine has been the extension of the concept of Europe and its wider opening to neighborhoods and margins. It is on this basis that
Makarychev, Andrey
core  

Audiovisual narratives of the Sami people at the beginnings of the Eurovision Song Contest (1960–1980)

Cogent Arts & Humanities
Held annually since 1956 and attracting the continuing participation of most European countries, the Eurovision Song Contest (ESC) is usually defined as the audiovisual counterpart to the contemporary history of the continent.
José Luis Panea
doaj   +1 more source

Research using hashtags: A meta-synthesis. [PDF]

Front Sociol, 2022
La Rocca G, Boccia Artieri G.
europepmc   +1 more source

"I Don't Feel Hate"

Persona Studies
In (media) popular music, “personas” are usually media personalities. They mainly appear in mass media. As the media landscape has changed over the last 150 years, so have the media appearances of these musician-personalities - from sheet music to radio,
Barbara Hornberger
doaj   +1 more source