Results 191 to 200 of about 6,648 (251)

‘Love Love Peace Peace’? The paradoxes of the Eurovision Song Contest

Journal of European Popular Culture
The Eurovision Song Contest (ESC) was initiated as a means to create a collaborative climate among the (western) European countries after the Second World War. Still, the ESC is about competing among countries.
Christina Öberg
semanticscholar   +1 more source

International contests in a geopolitical context (on the example of the Eurovision song contest)

Вестник МГПУ. Серия Естественные науки, 2022
В статье проанализирована роль международного конкурса песни «Евровидение» с точки зрения его вписанности в геополитический контекст европейского региона. Обоснована пространственно-временная динамика состава участников конкурса.
А.А. Мартынчук, Д.Н. Самусенко   +1 more
semanticscholar   +1 more source

Integrated popular reporting as a dialogic tool for measuring value creation or destruction through social impact assessment: The Eurovision Song Contest

Corporate Governance and Organizational Behavior Review
Nowadays, accounting has evolved to incorporate diverse perspectives in reporting, fostering democracy and sustainability (Brown & Dillard, 2015a, 2015b; Sorola, 2022).
Silvana Secinaro, Ginevra Degregori, V. Brescia, P. Biancone   +3 more
semanticscholar   +1 more source

REPRESENTATION OF NATIONAL IMAGES AT THE EUROVISION SONG CONTEST (USING THE EXAMPLE OF THE NETHERLANDS AND NORWAY)

Dynamics of Media Systems
The article examines the Eurovision Song Contest as a platform for cultural diplomacy and representation of national identity. Using an imagological approach, the performances of the Netherlands (Duncan Lawrence, “Arcade”) and Norway (KEiiNO group ...
A. I. Kobyakova, E. Y. Panova
semanticscholar   +1 more source

Breaking the Code: Multi-level Learning in the Eurovision Song Contest

arXiv.org
Organizations learn from the market, political, and societal responses to their actions. While in some cases both the actions and responses take place in an open manner, in many others, some aspects may be hidden from external observers.
Lu'is A. Nunes Amaral, Arthur Capozzi, Dirk Helbing   +2 more
semanticscholar   +1 more source

The influence of the 2019 Eurovision Song Contest on national identity: evidence from Israel

National Identities, 2021
This study examines the influence the Eurovision Song Contest (ESC), on national identity. Taking the case of the 2019 ESC which took place in Israel, this study employed a longitudinal design to examine its impact on different aspects of the national ...
Gal Ariely, Hila Zahavi
semanticscholar   +1 more source

Eurovision Song Contest 2013. Malmö, Sweden.

Journal of World Popular Music, 2014
Eurovision Song Contest 2013. Malmö, Sweden.
openaire   +1 more source

Postwar Europe and the Eurovision Song Contest

Music Reference Services Quarterly, 2018
Postwar Europe and the Eurovision Song Contest examines how the Eurovision Song Contest has reflected and become intertwined with the history of postwar Europe from a political perspective. Established in 1956, the Eurovision Song Contest is the world’s largest popular music event and one of the most popular television programmes in Europe ...
openaire   +2 more sources

Eurovision Song Contest

2016
Seit dem Sieg der bärtigen Dragqueen Conchita Wurst beim Eurovision Song Contest (ESC) 2014 in Kopenhagen und dem 60. ESC 2015 in Wien ist in Österreich die mediale Aufmerk- samkeit für den traditionsreichen Musikwettbewerb zurückgekehrt. Die Eurovision-Fange- meinde war allerdings schon vor diesen besonderen Ereignissen sehr lebendig.
openaire   +1 more source

Militarization and popular culture in the shadow of war: the 2022 Eurovision Song Contest

International Affairs
What is the political role of cultural mega-events in the context of ongoing war? The article examines the interaction between cultural mega-events and militarization processes in the shadow of war.
Inbar Noy, Meital Viner-Serdtse, Galia Press-Barnathan   +2 more
semanticscholar   +1 more source