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6th International Conference on Advanced Research Methods and Analytics - CARMA 2024
The use of non-official data sources as Twitter has been implemented for the monitoring of social and public events in many different fields during last years.
Andrea Marletta +2 more
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The use of non-official data sources as Twitter has been implemented for the monitoring of social and public events in many different fields during last years.
Andrea Marletta +2 more
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The Eurovision Song Contest as a Cultural Phenomenon
2022Adam Dubin +2 more
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The multilevel identity politics of the 2019 Eurovision Song Contest
, 2020This article uses the 2019 Eurovision Song Contest (ESC) that took place in Tel Aviv to explore how cultural mega-events serve both as political arenas and as tools for identity construction, negotiation and contestation.
Galia Press-Barnathan, Naama Lutz
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Predicting Eurovision Song Contest Results by Interpreting the Tweets of Eurovision Fans
2019 Sixth International Conference on Social Networks Analysis, Management and Security (SNAMS), 2019The Eurovision Song Contest is Europe's most well-known international competition for musical performance and songwriting. The winner of the contest is determined by a voting system that takes into account the opinions of viewers across the continent and around the world.
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Queer Patriotism in the Eurovision Song Contest
2019The Eurovision Song Contest, the long-running annual televised popular music show watched by millions of viewers around the world, was first broadcast in the United States in 2016, six decades after its founding in 1956. This considerable delay reflects the musical tastes of American audiences, but even more significantly, it reveals how ideals of ...
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Eurovision song contest and identity crisis in Moldova
Nationalities Papers, 2015The Eurovision Song Contest (ESC) was created for strengthening the development of a European soul. But generally speaking, one can say it has been used as a tool for nation-branding, and as a means for Central and Eastern countries to “return” to Europe, in particular after the fall of their Communist regimes.
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The Communicative Setting of the Eurovision Song Contest
2016The ESC looks back on a history of 60 years in which the competition has grown to become a European institution in its own right. This status has also been officially recognised, as in 2016 the ESC received the Charlemagne Medal for its contribution to European unification and identity formation.
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The Eurovision Song Contest, Preferences and European Trade [PDF]
, 2012 Already Beckerman (1956) and Linder (1961) suggested that international trade is not determined by supply side factors alone - perceptions about foreign countries and country preferences matter. We explore the relation between exports, cultural distance, income differences and country preferences as revealed by voting in the European Song Contest.
Kokko, Ari, Gustavsson Tingvall, Patrik
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Measuring the Eurovision Song Contest: A Living Dataset for Real-World MIR
International Society for Music Information Retrieval Conference, 2023J. Burgoyne +2 more
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Non-Musical Dimensions of the Eurovision Song Contest
2021Eurovision terimi ilk kez, 1950’lerde Avrupa Yayın Birliği’ne (EBU) bağlı olan kurumlar tarafından, bir ağ paylaşım sistemi oluşturma çerçevesinde kullanılır. 1955 yılında, savaş sonrası Avrupa kıtası yayıncılığında birleştirici etki yapacak bir etkinlik düşünen EBU, Eurovision Şarkı Yarışması’nın temellerini bu anlayış doğrultusunda atar. 1956 yılında
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