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, 2010 The fourth chapter on “Evolutionary Aesthetics” provides a comprehensive and detailed account of both strengths and weaknesses among recent aesthetic and cultural theories (such as homo aestheticus, literary Darwinism, cognitive cultural studies, etc) based upon neo-Darwinian theory.
Carsten Strathausen
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Situated color aesthetics by evolutionary computation
2017 IEEE Congress on Evolutionary Computation (CEC), 2017In a previous publication by the same authors, a computational design system was described that identifies aesthetical color combinations. In that work the type of color aesthetics pursued was to be determined prior to the design representing a given design objective.
Ozer Çiftçioğlu +1 more
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2021
Evolutionary aesthetics is the multidisciplinary investigation of the origins and evolution of our artistic and aesthetic behaviours and the capacities underwriting those behaviours. Key research questions include when, in the evolutionary past of our species, aesthetic sensitivities and artistic behaviours originated, and how, as well as whether those
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Evolutionary aesthetics is the multidisciplinary investigation of the origins and evolution of our artistic and aesthetic behaviours and the capacities underwriting those behaviours. Key research questions include when, in the evolutionary past of our species, aesthetic sensitivities and artistic behaviours originated, and how, as well as whether those
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Evolutionary Neurobiology and Aesthetics
Perspectives in Biology and Medicine, 2005If aesthetics is a human universal, it should have a neurobiological basis. Although use of all the senses is, as Aristotle noted, pleasurable, the distance senses are primarily involved in aesthetics. The aesthetic response emerges from the central processing of sensory input. This occurs very rapidly, beneath the level of consciousness, and only the
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Aesthetic Preferences: An Evolutionary Approach
2016Human aesthetic preferences towards a certain landscape type, a certain bodily traits of the opposite sex, a figurative style rather than another, are embedded in what we call “aesthetic experience”, a complex network of instinctive reactions, emotions, feelings, thoughts and judgments.
Mariagrazia Portera, Lorenzo Bartalesi
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