Results 11 to 20 of about 203,939 (301)
Focales, 2020 This text shows a shared curatorial experience between the Suspended spaces collective, Valérie Jouve and Jackie-Ruth Meyer. A corpus of pictures « given » by about fifty artists was assembled, arranged, articulated, according to protocols considering ...
Françoise Parfait
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La culture matérielle napoléonienne dans les expositions de l’après-Waterloo à Londres, 1815-1819
Revue Italienne d'Etudes Françaises, 2021 This article examines exhibitions of Napoleonic art and material culture exhibited in London in the immediate years following the battle of Waterloo. Focusing on three main museums and exhibition spaces, George Palmer’s Waterloo Museum, William Bullock’s
Nicole Cochrane
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Le musée Bourdelle, lieu de mémoire et de valorisation d’une collection monographique
In Situ, 2016 Antoine Bourdelle already had the idea for a museum dedicated to his work as early as 1922, but this museum only opened 20 years after his death, in 1949.
Chloë Théault
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Exhibition: Francis Bacon: Invisible Rooms [PDF]
British Journal of General Practice, 2016 Francis Bacon: Invisible Rooms Tate Liverpool 18 May 2016–18 September 2016 Francis Bacon has come to Liverpool, in a major new retrospective focusing on the shape and structure of his art. As is my wont in galleries, I wander for a while and then choose one piece on which to focus my attention.
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One Monument, One Town, Two Ideologies: The Monument to the Victory of Bolzano-Bozen [PDF]
, 2018 This article offers a critical reading of the first major attempt to publicly come to terms with the presence of an invasive and ideologically charged fascist monument in the border town of Bolzano-Bozen, in South Tyrol, Italy. The ‘Monument to Victory’,
Angelucci, Malcolm, Kerschbamer, Stefano
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Identitades vernáculas, propaganda subliminal y sentimiento nacionalista. La “Sección retrospectiva” de la exposición internacional de Barcelona de 1923 o la feria de las vanidades del meuble español [PDF]
Diacronie. Studi di Storia Contemporanea, 2014 The International Exhibition of Furniture and Interior Design, held in Barcelona in 1923, not only had the furniture as documentary evidence of the uses, ways and means and ways of life. The show organizers also served to reconstruct the History of Spain
Juan Antonio Sánchez López es Doctor en Historia del Arte y Profesor Titular del Departamento de Historia del Arte de la Universidad de Málaga, Premio Extraordinario de Licenciatura y Premio Extraordinario de Doctorado. Actualmente es director y docente del Máster de Escultura Barroca Española, impartido en la Universidad Internacional de Andalucía. +1 more
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Optimisation using Natural Language Processing: Personalized Tour Recommendation for Museums [PDF]
, 2014 This paper proposes a new method to provide personalized tour recommendation for museum visits. It combines an optimization of preference criteria of visitors with an automatic extraction of artwork importance from museum information based on Natural ...
El-Bèze, Marc +8 more
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Exhibition Season: Annual Archaeological Exhibitions in London, 1880s-1930s [PDF]
, 2015 Annual archaeological exhibitions were a visible symbol of archaeological research. Held mainly in London, the displays encapsulated a network of archaeologists, artists, architects and curators, and showcased the work of the first generations of trained
Thornton, A
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Bulletin KNOB, 1997 From the moment when world exhibitions were organized (1851) The Netherlands has participated in these events. The Dutch contribution thereby followed the general trend from an architectural point of view as well.
Marie-Thérèse van Thoor
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Le monument violenté : de l’émotion à la mise en exposition
Culture & Musées, 2020 When a monument is assaulted by armed forces or local militia within the context of an armed conflict, it immediately changes status, becoming a traumatic ruin (Leblanc, 2010).
Isabelle Brianso
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