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Contemporary Music Review, 2012
John Cage is universally associated with the phrase experimental music. But what did that phrase mean, for Cage and for Cage's predecessors? I begin with Cage and Lejaren Hiller, both writing important texts on 'experimental music' in 1959. From there, I trace the phrase backwards, eventually reaching Emile Zola, Gertrude Stein, and William James.
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John Cage is universally associated with the phrase experimental music. But what did that phrase mean, for Cage and for Cage's predecessors? I begin with Cage and Lejaren Hiller, both writing important texts on 'experimental music' in 1959. From there, I trace the phrase backwards, eventually reaching Emile Zola, Gertrude Stein, and William James.
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Spoken Music in the Field of Spanish Experimental Music
Contemporary Music Review, 2020This article explores the phenomenon of spoken music in the field of contemporary Spanish experimental music.
Isaac Diego García
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Experimentation and beyond in music – abstracts
2022published
Benetti, Alfonso (ed.) +1 more
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From Experimental Music to Musical Experiment
Perspectives of New Music, 1997Wx ITH ITS ADOPTION of modern technology, music enters new and complex relationships with the society to which it belongs. Both specialized scientific research and the economy of mass media become directly entangled with the practice of music composition. As a way of analyzing these new relationships, I want to examine the use of the word "experimental"
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Experimental Music in Singapore
Journal of Sonic Studies, 2016The experimental music scene in Singapore emerged in 1990s and grew out of the underground rock music scene of the 1980s. In this sense, the experimental scene has a shared history with the development of popular music in Singapore that occurred concurrently with Western popular music movements. Over the past 20 years, the scene has gained momentum and
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The Limits of Experimentation: On Researching Music and Musical Settings
Psychology of Music, 1995In recent years the maintaining of music psychology as a strictly experimental discipline has run into difficulties. Although the need for breaking new grounds has been observed by several eminent researchers, few suggestions on how to proceed have actually been made.
Roland S. Persson, Colin Robson
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