Results 1 to 10 of about 16,383 (105)

Exposition internationale 1937 [PDF]

open access: yesNouvelles de l'estampe, 2015
Ill. 1. Portrait de Marcel Guiot, commissaire de l’exposition internationale, 1937 Preface Ce n’est pas sans raison que les vrais amateurs reservent dans leurs collections une place de choix aux dessins et aux estampes. Que de maitres illustres se revelent, en effet, a nous beaucoup mieux dans leurs dessins que dans leurs peintures.
Lemoisne, Paul-André
openaire   +5 more sources

Cerámica y arquitectura : Palais de la céramique de Sèvres, de la verrerie et de la monnaie en L´Exposition internationale de Paris, 1937 = Ceramics and architecture: Palais de la Céramique de Sèvres, de la Verrerie et de la Monnaie at L´Exposition Internationale de Paris, 1937

open access: yesCuaderno de Notas, 2020
Resumen Este artículo analiza el Palais de la Céramique de Sèvres, de la Verrerie et de la Monnaie realizado por los arquitectos Robert Camelot y los hermanos Jacques y Paul Herbé para L’Exposition Interna­tionale des Arts et Techniques dans la Vie ...
María Pura Moreno Moreno
doaj   +4 more sources

La Argentina y la Exposition Internationale des Arts et des Techniques appliqués à la vie moderne de París (1937): ficciones de progreso y regímenes visuales

open access: yesArte, Individuo y Sociedad
En el marco de la renovación de los estudios dedicados a las exposiciones universales e internacionales, este texto aborda algunos aspectos visuales de la Exposition Internationale des Arts et des Techniques appliqués à la vie moderne, realizada en ...
Georgina G. Gluzman
doaj   +3 more sources

The debate over the creation of a Museum of Modern Art in Paris between the wars and the shaping of an evolutionary narrative for French art

open access: yesIl Capitale Culturale: Studies on the Value of Cultural Heritage, 2016
The paper comments on the state policies towards modern art throughout the interwar period identifying the private initiatives that sought to precipitate the creation of a museum of contemporary art in Paris.
Chara Kolokytha
doaj   +1 more source

Rewriting portuguese women’s history at international expositions (1889-1908) [PDF]

open access: yes, 2017
This article aims to understand how the changing nature of industrial schooling contributed to the erasure of women’s participation. Industrial schooling, manual work and the politics of exposition were increasingly conceived as male, despite the ...
Pinto, Teresa
core   +1 more source

Il potere dell'architettura. L'ideologia di regime all'Esposizione Internazionale di Parigi 1937 [PDF]

open access: yes, 2014
L’inasprimento della situazione politica del XX secolo trova negli eventi internazionali il luogo privilegiato per l’affermazione delle ideologie dei Paesi ospiti da diffondere sia ai visitatori che agli altri Paesi partecipanti.
Cimadomo, Guido, Lecardane, Renzo
core   +5 more sources

Le Nouveau Jardin Pittoresque: ethics, aesthetics and garden design in Belgium (1913-1940) [PDF]

open access: yes, 2012
Le Nouveau Jardin Pittoresque (The New Picturesque Garden) association was founded in 1913 to ‘renew and popularize garden art’ in Belgium. Originally, the emancipation of the lower classes was put forward as an important task; the association acted as a
Notteboom, Bruno
core   +1 more source

Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)

open access: yesLes Cahiers de l'École du Louvre, 2012
The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979).
Marie Vacher
doaj   +1 more source

The Logic of Spectacle c. 1970 [PDF]

open access: yes, 2007
This paper examines the site plan and theme exhibit of the Osaka Expo of 1970, together with a week-long protest staged in the Tower of the Sun, which was the main element of the Theme Exhibit.
Lockyer, Angus
core   +1 more source

Salvador Dalí's Dream of Venus at the 1939 New York world's fair: capitalist funhouse or surrealist landmark? [PDF]

open access: yes, 2011
For the 1939 World’s Fair in Flushing Meadows Corona Park, New York, Salvador Dalí created a surrealist funhouse called Dream of Venus. This installation, which included sound and performance, aimed at a controversial sensation, a truly surreal ...
Stalpaert, Christel
core   +2 more sources

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