Results 1 to 10 of about 16,531 (168)
Resumen Este artículo analiza el Palais de la Céramique de Sèvres, de la Verrerie et de la Monnaie realizado por los arquitectos Robert Camelot y los hermanos Jacques y Paul Herbé para L’Exposition Internationale des Arts et Techniques dans la Vie ...
María Pura Moreno Moreno
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Exposition internationale 1937 [PDF]
Ill. 1. Portrait de Marcel Guiot, commissaire de l’exposition internationale, 1937 Preface Ce n’est pas sans raison que les vrais amateurs reservent dans leurs collections une place de choix aux dessins et aux estampes. Que de maitres illustres se revelent, en effet, a nous beaucoup mieux dans leurs dessins que dans leurs peintures.
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En el marco de la renovación de los estudios dedicados a las exposiciones universales e internacionales, este texto aborda algunos aspectos visuales de la Exposition Internationale des Arts et des Techniques appliqués à la vie moderne, realizada en ...
Georgina G. Gluzman
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The paper comments on the state policies towards modern art throughout the interwar period identifying the private initiatives that sought to precipitate the creation of a museum of contemporary art in Paris.
Chara Kolokytha
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Le Nouveau Jardin Pittoresque: ethics, aesthetics and garden design in Belgium (1913-1940) [PDF]
Le Nouveau Jardin Pittoresque (The New Picturesque Garden) association was founded in 1913 to ‘renew and popularize garden art’ in Belgium. Originally, the emancipation of the lower classes was put forward as an important task; the association acted as a
Notteboom, Bruno
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Espacio versus pintura mural: Felix Aublet y Robert Delaunay en el Pabellón del Aire de la Exposición Internacional de Paris, 1937 [PDF]
This article deals with the link between architecture and murals in the Palais de l’Air at the International Exhibition of Art and Techniques that took place in Paris in 1937.
Moreno Moreno, María Pura
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Il potere dell’architettura. L’ideologia di regime all’Esposizione Internazionale di Parigi 1937 [PDF]
The political crackdown during the 20th Century finds in the International Events a special place for the hosting Countries to spread their ideologies to the visitors and to all the other Countries attending the event.
Cimadomo, G., LECARDANE, Renzo Antonio
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Joseph Moiseevitch Tchaikov. De la Ruche des Makhmadim à l’idéologie soviétique (1910-1937)
The reliefs decorating the propylaea of the Soviet pavilion at the 1937 Exposition Internationale in Paris were recently rediscovered on French soil, along with their sculptor, Iosif Chaykov (1888-1979).
Marie Vacher
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Rewriting portuguese women’s history at international expositions (1889-1908) [PDF]
This article aims to understand how the changing nature of industrial schooling contributed to the erasure of women’s participation. Industrial schooling, manual work and the politics of exposition were increasingly conceived as male, despite the ...
Pinto, Teresa
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Cet article se concentre sur la section française de l’ “Internationale Jagdausstellung” de Berlin (1937), une grandiloquente exposition consacrée à la chasse qui fut convoquée par Hermann Göring et sanctionnée par le programme nazi d’expositions ...
Catherine Girard
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