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Expressionism

2018
Expressionism was one of the foremost modernist movements to emerge in Europe in the early years of the twentieth-century. It had a profound effect on the visual arts, as well as on music, dance, drama, literature, poetry, and cinema. Rather than depict physical reality, Expressionism developed as a reaction against the prevailing interest in ...
Nell Andrew   +4 more
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Beckett and Expressionism

Modern Drama, 1966
IT IS AMONG NORTHERN PEOPLES that imaginative creation has most often taken the Expressionist path, first in the plastic arts, and then in literature. A certain amount of light seems to impose the conviction that the exterior world exists and that bodies are bodies.
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Expressional loops

Proceedings of the 11th ACM SIGACT-SIGPLAN symposium on Principles of programming languages - POPL '84, 1984
This paper proposes an expressional loop notation (XLoop) based on the ideas described in [16,17] which makes it practical to express loops as compositions of functions. The primary benefit of XLoop is that it brings the powerful metaphor of expressions and decomposability to bear on the domain of loops.
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Expressional Region Retrieval

Proceedings of the 28th ACM International Conference on Multimedia, 2020
Image retrieval is a long-standing topic in the multimedia community due to its various applications, e.g., product search and artworks retrieval in museum. The regions in images contain a wealth of information. Users may be interested in the objects presented in the image regions or the relationships between them.
Xiaoqian Guo   +2 more
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Expressionism

2015
Expressionism is a movement that originated in Germany before World War I and extended to the period between the two major European wars. It promoted subjective representation and “expressive” distortions in art.
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O'Neill and German Expressionism

Modern Drama, 1967
WHEN BERTOLT BRECHT TOLD AN INTERVIEWER THAT "People like Georg Kaiser and his follower O'Neill have successfully applied quite new methods which are good and interesting even if their ideas don't coincide with my own," he had obviously not heard about O'Neill's protestations that he "did not think much" of Kaiser's plays, because they were "too easy"
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