Results 31 to 40 of about 8,575 (207)

Kandinsky: Visual Analytics of the Avant‐Garde

open access: yesComputer Graphics Forum, EarlyView.
Kandinsky transforms dense Avant‐Garde exhibition records into interpretable artist ensembles linked to geographic and temporal evidence. Expert evaluation shows that coordinated structural, spatial, and temporal views support art historians in recovering known constellations and identifying data‐grounded leads for further inquiry.
Raphael Buchmüller   +8 more
wiley   +1 more source

The critical foundations of American neo-expressionism: 1980-1984 [PDF]

open access: yes, 1994
International Neo-Expressionism has been regarded as one of the significant achievements of postmodern art. This study examines the critical foundation of American Neo-Expressionism from 1980 to 1984.
Hsieh, Tungshan
core   +1 more source

Au royaume des ombres : Daughter of Darkness (Lance Comfort, 1948) et The Queen of Spades (Thorold Dickinson, 1949)

open access: yesMiranda: Revue Pluridisciplinaire du Monde Anglophone, 2013
Gothic cinema has always relied on the contrast of light and darkness. The shadows that people it have never ceased to appear in various guises — as shadows cast by bodies, as ghosts, spirits or doppelgängers.
Jean-François Baillon
doaj   +1 more source

Aesthetic Theory and the Philosophy of Nature

open access: yesPhilosophies, 2021
We investigate the fundamental relationship between philosophical aesthetics and the philosophy of nature, arguing for a position in which the latter encompasses the former.
Said Mikki
doaj   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

open access: yesPacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Impulses and Shapes of Expressionism [PDF]

open access: yes, 2010
The thesis starts with an attempt at defining the notion of "expressionism" in the context of modemism and avant-garde, followed by a general outline of the expressionist art, as it manifested itself in different art forms, both in the wider European ...
Ziebikerová, Alena
core   +1 more source

Cultivation of Aesthetic Experience as the Aim of Environmental Art Education: A Deweyan View

open access: yesEducational Theory, Volume 76, Issue 5, Page 637-654, October 2026.
Abstract Challenging the dichotomy of nature and culture is broadly seen as a key aim of environmental art education. Some of the literature on the topic focuses on the question of what metaphor for the relationship between nature and culture environmental art educators should adopt and attempt to convey to their students. In this article, I argue that
Iines Leinonen
wiley   +1 more source

Expressionism in adaptive reuse [PDF]

open access: yes, 2002
Modernism is a theory exploring the expression of modem materials. Expressionism is characterized as being a part of this theory by challenging the capabilities of structural materials.
Funk, Stephen
core  

Enchanting the Otherwise: Magical Realism and the Gendered Ontologies of Organizational Becoming

open access: yesGender, Work &Organization, Volume 33, Issue 5, Page 1707-1719, September 2026.
ABSTRACT This paper enacts a feminist‐posthumanist reimagining of gender as ontological disturbance, using magical realism not as metaphor but as epistemological method. Rejecting representational logics and the managerial rationalities of organizational realism, we advance gender not as identity or role but as spectral interference—a transversal ...
Max Ganzin, Diana Ivanycheva
wiley   +1 more source

Към въпроса за стила „Pодно изкуство” в аспекта на българския авангард през 20-те години на ХХ век

open access: yesPoznańskie Studia Slawistyczne, 2020
The article presents the selected aspects of the Bulgarian avant-garde movement called “Native Art” (Rodno izkustvo) which developed in art (painting of Ivan Milev and others) and literature (the so-called decorative prose, ars decorum) in the 1920s. An
Галя Симеонова-Конах
doaj   +1 more source

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